HERALD

Hulengende, Jnr Spragga battle for supremacy under spotlight

Zimpapers Entertainment Hub

THE local showbiz scene is witnessing an emerging musical rivalry between two youthful chanters, Hulengende and Junior Spragga, drawing comparisons with the historic 2014 clash between Soul Jah Love and Seh Calaz.

The two contemporary artistes have been trending on social media, with music enthusiasts divided over who commands more audiences as both continue to attract sizable crowds at their respective live performances.

Junior Spragga, born Nyasha Dedza, has secured the backing of several high-profile figures and business executives. Businessman and lawmaker Scott Sakupwanya reportedly gifted the artiste with US$50 000 in cash and a new vehicle, while the late businessman Wicknell Chivayo reportedly gifted him a house valued at US$150 000, along with US$50 000 for furnishings.

Junior Spragga also secured high-profile recognition when he was selected to perform a birthday song for President Mnangagwa in Mvurwi on September 15.

Conversely, Hulengende, real name Ezbornwage Chidamajaya, has pursued an independent trajectory without high-profile financial backing. Alongside his wife, Malloti Rose, he formed a movement dubbed Malongende, securing performance bookings both locally and internationally.

Despite previously facing criticism over missed bookings, Hulengende recently registered a significant milestone by filling the Chitungwiza Aquatic Complex to capacity.

During the same weekend, Junior Spragga performed to a diverse audience in Mutoko.

The current debate echoes the intense 2014 rivalry between the late Soul Jah Love and Seh Calaz, which peaked at the Sting festival at the City Sports Centre in Harare. That event ended in public disorder, but cemented Soul Jah Love’s musical standing following  his subsequent release of the track, “Ndakamukwapaidza”, which was countered by Seh Calaz’s “Sauro Unepamuromo”.

Public opinion on the current rivalry is not conclusive. While some social media commentators have declared their allegiance to Hulengende with phrases such as “Ngende to us”, others have defended Junior Spragga’s musical capabilities, with neutral observers noting that both artistes possess distinct merits.

As both performers continue to expand their footprints within the local entertainment sector, music industry analysts indicate that the competition is likely to stimulate further interest and growth within the Zimdancehall genre.