Online Reporter
Langelihle Dube, Zimpapers Arts and Entertainment Hub
BRYCE DJ KLASIQ, also known as Bryce Andiswa Dube, isn’t waiting for the spotlight in Bulawayo — he is creating it. The seasoned DJ, with over 10 years behind the decks, is rewriting the city’s entertainment narrative, showcasing local talent at venues from Skyz Metro FM to Hinde. And for those who think they know his sound, a new chapter is just beginning.
This time, he’s not just playing the music — he’s curating the moment. With his signature blend of deep house, Afro-tech, and emotionally layered sounds, Bryce is stepping into a new chapter this weekend. One where he no longer waits for the spotlight but builds it from the ground up. Tired of relying on promoters for headline slots, he’s becoming his own main act.
On Saturday, Bryce will host The Mix and The Menu, his first solo headlining event, at Ja Dijo Restaurant. The concept is simple yet refreshing: a night of music and food, curated by one man with a clear vision — to prove that home-grown talent can lead, not just support.
More than just another night out, this is his night — a culmination of 13 years of hustle, heartbreak, growth, and grit.
“I’ve always wanted to bring people I care about into one space and share what I love most — food and music. This event is that dream, finally realised,” he said in an interview.
No opening acts. No competing sets. Just Bryce, spinning through memories and melodies for one unforgettable evening.
“From 6pm, guests will be treated to a curated musical journey, with dinner served at 7pm. This is not your usual DJ gig — its part dinner dance, part listening session, and part celebration of a man carving his own lane.”
In a city as culturally rich as Bulawayo, it’s no secret that local talent often struggles for recognition. For many home-grown artistes, being booked —especially as a headline act — is a luxury, not a guarantee. But Bryce is no longer waiting for permission.
“I got tired of hoping that a promoter would finally see me as a headline act. So I decided to stop waiting and create my own platform. It’s not easy, but it’s worth it. You keep your value, your control, and your integrity,” he said.
He’s no stranger to the venue either, having played countless sets there before. But this time, the energy will be different. It’s not just a gig — it’s a statement. A declaration of worth in a scene that sometimes forgets how much brilliance exists right at home.
But who is Bryce, and how did he venture into the world of deejaying?
Long before he was Bryce DJ Klasiq — the name emblazoned across flyers and festival posters — he was simply Bryce Andiswa Dube, a teenager captivated by rhythm and presence. His love affair with the decks began in 2010 at a party that changed everything: the Bohlingers Tight Party at Queens Sports Club. It was there he first witnessed Otis Fraser and DJ Sbago command a crowd — and something clicked.
“That night changed everything. I knew then what I wanted to do with my life.”
From that spark came mentorship — first from a friend named Keith Zazasto, who introduced him to DJ equipment.
Then came long nights of studying the craft with best friend NiteFreak, followed by invaluable guidance from Ryan Synth and Mdusevan.
Since then, Bryce has shared decks with some of the biggest names in the country and beyond — from Ash T, Mzoe, Kotwane, and NiteFreak, to regional heavyweights like Jnr SA, Thakzin, Darque, and Oscar Mbo.
While many see the glamour of gigs and performances, Bryce is candid about the challenges of life as an independent artiste. He’s played at every major gig the city has to offer, yet he’s never quite felt fully embraced by the industry.
“Being an artiste here means learning to survive with your head down. You get underpaid, overlooked, and overworked. There are dry spells. You still have to feed your family. But passion keeps you going.”
There have been wins too. His Skyz Metro FM DJ Champion title remains a personal high — not just for the recognition, but for the inspiration it sparked.
“Young boys started coming up to me, saying they wanted to be like me. That hit differently. I never saw myself as a role model until then.”
Bryce’s long-term vision is clear: to shift the culture. He dreams of a Bulawayo that values its creatives, markets them globally, and no longer has to prove its worth.
“This city is filled with gold. We’re not short of talent — we’re short of platforms.
“That’s why I do what I do. Every chance I get, I’ll tell the world about Bulawayo.”
