ECOBANK LEGENDS NIGHT 2.0: YONDO BRINGS ALL THE MAGIC

Tafadzwa Zimoyo

Zimpapers Entertainment Editor

IF anyone thought the Ecobank Legends Night Africa 2.0 was all hype, Saturday night delivered the answer in the loudest possible way — Alex Sports Club was packed to the rafters.

The much-anticipated celebration of African musical legends lived up to its billing as thousands of music lovers descended on the venue for a night of nostalgia, big voices, familiar faces and memories from a golden era of African music.

And, perhaps most significantly, the show went ahead smoothly despite the negativity that had been circulating on social media in the build-up, with some voices calling for the event to be disrupted.

Instead, the music drowned out the noise.

The atmosphere inside the venue told a different story, with fans singing, dancing and embracing the concept championed by Intotal Band and Ecobank — bringing legends of African music together on one stage.

Even some music legends supported the move by Intotal Band, giving the concept a significant vote of confidence as the organisers sought to create a platform celebrating musicians whose music has travelled across generations.

At the heart of it all were visiting headline acts Yondo Sister and Salif Keita, who each performed for about 30 minutes but managed to squeeze decades of musical history into their sets.

Yondo Sister, 68, proved to be the biggest surprise of the night. There had been questions in some quarters about whether the veteran performer, now well into her 60s, could still deliver the energetic “Sister” act that made her famous. Well, she answered those questions with her feet.

Yondo can still dance!

The Congolese queen walked onto the stage and immediately transported the crowd back to the days when soukous and kwassa kwassa ruled African dance floors.

She performed three songs from her celebrated repertoire, including “Bazo”, “Wapi Yo” and “Mbuta Mutu”, sending the crowd into a frenzy.

Her performance was less about the length of the set and more about the impact.

The moment she started dancing, the audience responded almost instinctively. For a generation that grew up on her music, it was like opening an old family photo album — only this time the photograph was moving.

Yondo has long been associated with the soukous and kwassa kwassa tradition, with songs such as “Bazo”, “Wapi Yo” and “Mbuta Mutu” among the best-known recordings in her repertoire.

Then came the unmistakable voice of Mali.

Salif Keita, the man widely known as the Golden Voice of Africa, needed little introduction.

Although his set was also brief, Salif Keita demonstrated why his voice has remained one of Africa’s most recognisable musical instruments.

When he launched into “Africa”, the crowd erupted.

Hands went into the air, people sang along and for those few minutes, age, musical generations and the passage of time appeared to disappear.

Keita’s return to Zimbabwe — his fourth visit — had already generated excitement before the concert, and his performance finally gave fans the chance to reconnect with a voice they had known for decades. But Legends Night was never only about the two continental visitors.

The local line-up brought its own heavy dose of nostalgia.

Cool Crooners, Sandra Ndebele, Jeys Marabini, IYASA, Alick Macheso, Mai Patai, Leonard Zhakata, Albert Nyathi, Tanga weKwaSando and others all had their moment in the spotlight.

Although the tight programme meant several acts had limited stage time, the performers made their minutes count.

They dug into their catalogues and reminded fans why these names have survived changing musical fashions.Macheso brought the sungura faithful to their feet, Zhakata reopened memories through his enduring songs, while Sandra Ndebele and Jeys Marabini added their distinctive Bulawayo flavour.

IYASA and Cool Crooners further strengthened the nostalgic character of the evening, while the Intotal Band remained at the heart of the musical concept.

For founder and organiser Joseph Chinouriri, the packed venue was both gratifying and surprising.

“I am happy and shocked at the same time. To fill Alex Sports Club, when we are used to the HICC, shows that the movement and journey has started,” he said.

For Chinouriri and Intotal Band, Legends Night 2.0 was therefore more than another concert. It was a statement.

A statement that African musical heritage still has an audience.

A statement that legends can still command a crowd.And, after Saturday night, one thing was clear: the Legends Night journey has only just begun.

The crowd had spoken — with their feet, their voices and their memories.

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