Online Reporter
Langalakhe Mabena, Zimpapers Arts and Entertainment Hub
TRADITIONALIST and musician Evias Bhebhe, known for his hit Dziba Le Mvula, has emphasised the importance of documenting the traditions and beliefs of black people through music, as a means of preserving the nation’s history and culture.
Bhebhe, who is also a healer, shared these sentiments following the successful release of his sixth album titled Ukufa Kwangenza — a project that explores various themes surrounding the experiences of traditional healers, from initiation rites to daily practices.
“It’s important for us as black people to preserve our culture through music, so that a wealth of vital information can be shared and passed down from one generation to the next.
“If you look closely here in Zimbabwe, many have lost touch with their humanity by turning away from traditions that define us.
“On this album, I re-imagined various folklore-inspired traditional music and infused it with my own interpretations to spread awareness about the significance of our culture, encouraging people to embrace it and return to practising our African rituals,” he said.
On the six-track album, Bhebhe collaborated closely with his wife, Gogo Mankosi, who is also a traditional healer.
With a background in Christianity, Bhebhe said he strives to create music that resonates with traditionalists while remaining accessible to Christians.
“I was a pastor before I received my calling as a traditional healer. When I first began making this kind of music, I faced resistance. However, over time, people began to appreciate my craft. Today, even Christians are not afraid to play songs that celebrate our culture, especially since I’ve blended them with modern beats.
“I realised that if I had used only traditional drums and amahlwayi (leg rattles), many would have been reluctant to embrace or associate with this music. That’s why the fusion of traditional compositions with contemporary instrumentation has worked —more people now appreciate my music,” said Bhebhe.
Traditional music, particularly that of the Ndebele people, is diverse. In this project, Bhebhe said he successfully fused ingoma zama khehla and zabogogo —songs of traditionalists with different callings and ancestral connections.
“Ancestors are different and so are their songs. Some sing with ingungu (drums), while others use izikeyi (logs). On this album, we included songs from both perspectives to ensure everyone felt represented,” he said.
With this album, Bhebhe said his aim is to unite African people and encourage them to embrace their heritage through music, stressing the importance of taking pride in practising traditional rituals and customs.
