Online Reporter
Noel Munzabwa in Malkerns, Eswatini
IT may not have drawn the huge cross-generational response that accompanied the late Oliver Mtukudzi’s memorable appearances at MTN Bushfire, but Hope Masike certainly left her mark on this year’s edition of the internationally-acclaimed festival.
Performing on a cool Saturday afternoon at the Amphitheatre Stage, Eswatini, Masike captivated festivalgoers with a vibrant showcase of Zimbabwean culture on the second day of the three-day festival.
Backed by enthusiastic support from fellow Zimbabweans in attendance, Masike delivered a performance rich in traditional sounds and cultural expression, creating an electrifying atmosphere that won over audiences with her energy, talent and pride in her heritage.
Over the years, Zimbabwean acts have enjoyed varied receptions at Bushfire.
Mtukudzi’s performances resonated with a broad audience that transcended borders, while Jah Prayzah largely drew strong support from Zimbabweans, who traditionally flock to what is arguably Southern Africa’s biggest arts and music festival.
Masike’s performance brought something different.
The distinctive sound of the mbira added a unique cultural flavour to a festival renowned for embracing musical diversity and genre fusion.
As the sweet, melodic tones of her mbira floated across the picturesque valley of Malkerns, many festivalgoers were visibly drawn into the performance.
Some danced along, others watched in fascination, while many appeared eager to understand the stories carried through the Shona lyrics.
For some in the crowd, it was their first encounter with both the instrument and the language.
“It’s my first time hearing this music and language and though I couldn’t understand the lyrics, one thing I am certain of is that this confirms how rich Africa’s music culture is,” said South African festivalgoer Themba Mathonsi.
While some may have arrived unfamiliar with her music, Masike left the stage having undoubtedly won new admirers.
Her captivating performance showcased not only her artistry but also the enduring power of Zimbabwean traditional music on the international stage.
By the time she concluded her set, the Mbira Princess had firmly planted her flag, laying the foundation for a growing following and ensuring that future appearances at the festival will be met with even greater anticipation.
Mathew Masinge