Online Reporter
Mthabisi Tshuma, [email protected]
Bulawayo-based artiste Hwabaraty took the richness of indigenous African artistry to new audiences during his transformative six-month tour across Ontario, Canada, last year.
Hosted by Niso Arts, a Canadian-based arts organisation dedicated to connecting communities through cultural expression, the alternative musician and actor’s tour that started in June, featured a diverse array of performances, workshops and collaborations.
The highlight of his visit was a multi-part event series in partnership with Pillar Nonprofit Network and the London Black Heritage Council. Hwabaraty collaborated with dancers from La Compagnie de Danse in a powerful performance supported by the London Music Office. He also led a series of engaging drumming workshops with L’Arche London, immersing participants in the rhythms and traditions of African percussion.
Adding to his list of remarkable performances, Hwabaraty took to the Grand Theatre stage at the London International Fringe Festival, starring in a one-man, self-conceptualised storytelling theatre piece titled I Am Jelimana. Written by Butshilo Nleya and produced by Nokuzola “Zola” Ncube, the play narrates a poignant tale set in 1960s Zimbabwe, following Jeqe’s journey through war, spirituality, and self-discovery. Hwabaraty’s dynamic performance brought this powerful story to life, extending the impact of his most recent album, Jelimana.
His dedication to accessibility in the arts was evident in his contribution to the Move Through Dance portal, where he showcased Zulu dance, offering a deeper understanding of its cultural significance.
“I conducted enriching workshops and educational sessions with Conscious Minds Camp, the Children’s Peace Theatre and the London District Catholic School Board, inspiring young learners through the power of music and movement. Collaboration remained a key theme throughout my tour,” he said.
Hwabaraty worked with notable session musicians in London, Ontario — including Robin Henry and Derek & Shawn Durant to create a unique composition blending traditional African folk and Indigenous elements. The track they worked on, Thina Siyakhala, is set to be released in the coming months on all digital streaming platforms.
“The song tells a story of triumph and connection, embodying the essence of cultural unity. I also collaborated on a separate track with Fiker, further expanding my artistic reach and showcasing the diversity of African musical influences,” he said.
Beyond performances, Hwabaraty engaged with influential community and arts leaders strengthening cultural ties and fostering meaningful discussions on the role of Indigenous African artistry in a global context.
“My tour in Canada was not just a series of performances — it was a celebration of identity, resilience and cultural exchange. Through my music, dance and storytelling, I continue to inspire and connect communities across borders,” he added.
