Vusumuzi Dube
Langelihle Nyathi
IN a world where mainstream music often overshadows the elegance of classical instruments, Tafadzwanashe Tsepokang Muzhari stands out not only for his rare choice of instrument but for the soul he breathes into every note.
“It all started as something I always admired to play because of the sound it produces. I wanted to play something unusual and not commonly chosen and the sax captivated me,” he said.
Currently a full-time music teacher at Kyle College in Masvingo, Tafadzwanashe comes from a family of four brothers, all musicians, making music not just a passion but a legacy.
He draws inspiration from both local and international icons like Vuyile Qongo, popularly known as Vuyi Sax, Joseph Chinouriri, known as Jose Sax, Jaden Mawaza, the Sax Guru, and Charlie Parker, who remains his greatest influence.
“Locally, I look up to Vuyile Qongo, Joseph Chinouriri, and Jaden Mawaza. Internationally, Charlie Parker ‘The Bird’ shaped the way I play. I’m a jazz lover at heart. Jazz gives me the freedom to play dissonance, shell voicings, alterations even discords and still make musical sense.”
One of Tafadzwanashe’s most memorable moments was performing at the Family Covenant Church Destiny Conference held at ZITF, Bulawayo.
“The energy was unbelievable. Such moments remind me why I do what I do.”
Like any artist, he has faced his fair share of criticism, comparisons, and judgments, but he remains unfazed.
“Criticism and negative opinions do not define me. I let the music speak for itself.”
While solo playing remains special, Tafadzwanashe has grown to love performing with a band.
“There is a different magic when you play as a team. It pushes you to be better and more creative.”
He appreciates the love and support he receives from his family, stating that they have been more than supportive.
“I would really appreciate my family who have been more than supportive to me,” he said.
Beyond the stage, his role as a music teacher fuels the next generation.
“I’m grateful to Kyle College for supporting my ideas and letting me impact young minds.”
As he continues to inspire, educate, and perform, Tafadzwanashe is proving that jazz is not fading—it is evolving. With every note he plays, Zimbabwe’s jazz scene grows louder, richer, and more alive.
“It’s not about how you start. The joy is in the journey and the moment you realise you can really play.”
Online Reporter