BMETRO

The art of ukuyagayisa impuphu . . . When the wheelbarrow became your biggest enemy!

There are many things that can test your patience in the kasi, but nothing prepares you for the humiliation of being summoned by uNaVinch to go ukuyagayisa impuphu at the most inconvenient hour known to mankind.

You could be comfortably tucked under your blanket, enjoying your afternoon nap or even playing with your mates.

But the moment uNaVinch shouts your name, you know your plans have just been cancelled.

“Woza la! Ngifuna ukukuthuma!”

And before you can even ask what the mission is, uNaVinch appears carrying that familiar gokoko lomumbu, the kind that makes you question whether the whole kasi has been assigned to eat at your house.

“Thatha la uye, esigayweni.”

Awu, uNaVinch! Why is it always me? And why is it always now?

The timing is usually criminal. She will never send you at 10am when the sun is still friendly and the milling stall is quiet. No! Uyaqala ukukukhumbula when the sun is setting, when you have just changed into your clean clothes, or worse, when the entire kasi (including the beautiful girls) is outside.

And that is how the great adventure of ukuyagayisa impuphu begins.

First, you start looking for the perfect route, to avoid amajida and the kasi girls and also start devising a means of carrying the load without leaving you white with mealie-meal.
You try to be clever.

“Kanti masalu, why singagayisanga ekuseni?”

UNaVinch doesn’t even look up.
Conversation over!

Then comes the journey to the milling stall. If you are lucky, the mill is open. If you are unlucky, the operator has gone out to get something to eat, attend a funeral, or simply disappeared into the mysterious world of kasi business.

You sit there with your load, watching other people arrive with their small packets. Some bring half a bucket.

And the queue! Hayi bo! The queue has its own government, constitution and leadership. There is always someone who insists that they arrived before you, even though you saw them walking in from the direction of the tuckshop five minutes ago.

Then the mill starts.

That machine makes noise as if it is trying to settle a personal score with your ears. Dust rises, people shout over one another, and you begin to wonder whether the impuphu will come out finer than your patience.

But the real drama comes when the operator asks:

“Uyafuna ibe fine kumbe ibe rough?”

Now, how are you supposed to know? UNaVinch simply said, “Hambo gayisa umumbu.” You were not given a technical specification, a production manual or even a sample.

After what feels like three business days, the mealie-meal is finally ready. You now have to carry the impuphu back home, trying not to spill any along the way. By this stage, your shirt is dusty, your hands are tired and your mood has gone for good.

But don’t celebrate too early. UNaVinch is waiting.

The moment you arrive, she inspects the impuphu like a quality-control officer at a major food-processing plant.

At that point, you realise that ukuyagayisa impuphu is not just a household chore. It is a lifestyle, a test of endurance, a practical lesson in patience and an unpaid internship in logistics.

But, jokes aside, there is something special about these kasi rituals. The milling stall is more than a place where umumbu becomes impuphu. It’s where neighbours meet, stories are exchanged, gossip is updated and everyone suddenly becomes an expert in maize quality.

Until next time, keep your kasi close, your memories alive and your stories coming. This is Vinch, signing out from the Kasi Chronicles.