Online Reporter
Langalakhe Mabena, Zimpapers Arts and Entertainment Hub
For decades, Alick Macheso has been an icon within Zimbabwe’s music scene, particularly among his devoted fans in Bulawayo.
Known for his vibrant performances and unrivalled ability to engage with audiences, Macheso’s shows were nothing short of spectacular events – the kind that would draw over 10 000 fans in venues such as the Bulawayo Amphitheatre and the Zimbabwe International Trade Fair Main Arena.
When he took to the stage, fans knew they were in for an unforgettable experience, creating a palpable excitement throughout the city.
Gibson Mhaka, a seasoned journalist and a fervent supporter of Macheso, recalls the electric atmosphere that surrounded Macheso’s performances.
“When Macheso was in town, the energy was incredible. We would have three press conferences to update fans on what to expect from Baba Shero.
“The man knew how to connect with his fans, often meeting them at local restaurants or even doing road shows in the town. That organic connection made his concerts unmissable events,” said Mhaka
However, at 57 years old, some are beginning to question whether we are witnessing the decline of this Sungura legend.
Traditionally known for filling venues that could accommodate over 10 000 people, recent shows have seen a significant dip in attendance.
His last performance at Palace Hotel drew over 7000 spectators — a respectable number, yet a noticeable decrease for the standards that Macheso has set throughout his career.
This isn’t just a number, it represents a shift in the musical landscape and how fans connect with their idols. While attracting over 7 000 people is still impressive, it reflects a changing dynamic that cannot be ignored.
One of the key factors that has seen Macheso’s gigs attended by much fewer people as expected in Bulawayo, is the change in venues available for him to perform.
After shows were banned at the larger Amphitheatre, his management turned to Palace Hotel, a smaller venue that has hosted him multiple times.
Tapiwa Gandiwa, the proprietor of Palace Hotel, argued that despite the smaller capacity, the energy and excitement during Macheso’s performances remain high.
“We understand that our venue might seem small, but every time Macheso graces our stage, we witness magic. His last show sold out as we recorded a sale of 7800 tickets. Some of the fans were just stamped after tickets went out. That shows that Macheso is still on demand,” said Gandiwa.
Yet, lingering questions still remain, can Macheso maintain this level of engagement with fans?
Is the continued appeal of his music strong enough to counterbalance the dwindling venue sizes?
With a rapidly changing music industry influenced by younger artistes and evolving tastes, will Macheso be able to recapture the megastar status he once enjoyed?
Or is this a sign of his impending decline, the beginning of the end for one of Zimbabwe’s most cherished musicians?
All these questions will be answered on 31 October as Macheso is billed for a show at Palace Hotel.
At his age, he will be helped on stage by the much younger Sungura musician Peter Moyo, son to another late legend Tongai “Dewa” Moyo, who was a close friend to Macheso.
derick.khumalo