Langalihle Mhiti-Zimpapers Arts, Entertainment Hub
As the year winds down, one question has gripped Zimbabwe’s music lovers: which track will claim the 2025 Song of the Year title?
Although some say there is still time to judge that considering that we are four months away from year-end, which songs have been bugging the trend, be it wedding, party, radio station, or commuter omnibus?
Of course, people are entitled to their opinion but however, The Herald Arts desk managed to just conduct a survey on which hit song deserves to be the song of the year.
Five major contenders have emerged, “Ruzhowa” by Jah Prayzah, “Manhanga Matete” by Kurai Makore, “Door Ratovharwa” by Donator Calvins, “Too Much” by Nutty O and “Ta Ta Ta” by Nyasha David each bringing a unique vibe that resonates across diverse audiences.
From kombis to clubs, social media to street corners, fans are fiercely divided, passionately championing their favourite tracks.
It’s a musical battle that reflects not just taste but identity, mood, and movement.
Arguably the biggest name on the list, Jah Prayzah delivered a haunting and soulful anthem with Ruzhowa.
The song, rich in traditional sounds and lyrical depth, has touched many Zimbabweans.
“When Ruzhowa plays, you feel something deep,” said Ruth Nyamande, a vendor from Harare.
“It’s not just a song it’s a prayer, a cry, an emotional release.”
Ruzhowa has dominated both radio and live performances, often used as a reflective closer at events. Its powerful lyrics and production showcase Jah Prayzah’s ability to transcend entertainment and tap into national consciousness.
So powerful is “Manhanga Matete” it has gone viral and Makore’s song has mutated into various tunes after being adopted and retuned by many other groups, making it hard to ignore. It is all over.
“‘Manhanga Matate’ is no doubt the song of the moment. Go anywhere and everywhere, its ‘Manhanga Matete’,’’ says Rufaro Chinyemba of Highfield. Door Ratovharwa by Donator Calvins is raw, simple, and highly relatable. The mystery around the song’s creators hasn’t stopped it from becoming a street sensation, with its viral chorus echoing in marketplaces, bus stops and youth hangouts.
“This song is for us, the ghetto youths,” said Tafadzwa Chikomo from Westlea.
“It speaks to our daily lives, heartbreaks and survival. No big names needed.”
Dancehall star Nutty O brought finesse and groove with Too Much, a cleanly produced, afro-dancehall blend that quickly became a club favourite. Known for hits like Handipere Power, Nutty O once again proved his consistency and ability to adapt.
“Nutty O gave us a soundtrack for the summer,” said DJ Lonz of a local Harare nightclub.
“Too Much gets people on their feet there’s no skipping it on the playlist.”
Beyond the beats, fans appreciate the song’s mature themes and catchy chorus, making it a favourite across urban radio and party scenes.
Rounding off the contenders is Ta Ta Ta, a romantic R&B anthem from soulful singer Nyasha David. The track gained traction among lovers and slow-jam enthusiasts, becoming a wedding and anniversary staple.
“It’s soft, it’s sweet, it’s emotional,” said Tendai Muringani, a university student from Mt Pleasant. “Every girl I know has posted it as a status at least once.”
While not as explosive as its rivals, Ta Ta Ta has quietly built a dedicated fan base, especially among the youth and those who appreciate live instrumentation and lyrical intimacy. The debate around the Song of the Year has turned social media into a musical battlefield. From Twitter polls to Facebook group arguments, fans are defending their favourites with passion.
“It’s clearly ‘Too Much’ for me,” said Tariro Mahachi from Warren Park D. “That beat is addictive. Nutty O owned this year.”
But for Simba Ncube from Warren Park 1, “Ruzhowa is unmatched. That song brings emotions I didn’t know I had.” Local radio stations like Power FM and Star FM have picked up on the hype, running countdowns and listener polls to determine the top pick. Even kombi drivers are joining the conversation, with playlists revealing subtle allegiances.
“Each of these songs defines a part of our society,” said Ruvimbo Tsvakai, a music blogger. “Some hit the streets, others the soul. That’s what makes this year’s race so exciting.” With the festive season approaching, music awards, year-end charts, and public votes will determine the final verdict. But one thing is clear Zimbabwe’s music scene is thriving, diverse, and fiercely loved. “Who wins? That’s for the fans to decide,” said Douglas Marufu a music fan from Warren Park D.
“Whether you’re vibing to Door Ratovharwa, lost in ‘Ta Ta Ta’, dancing to ‘Too Much’, or worshipping through ‘Ruzhowa’, this year’s musical legacy is already unforgettable.



