Online Reporter
Tafadzwa Zimoyo in NOTTINGHAM, United Kingdom
ZIMBABWEAN comedian, Enock Richard Kubvuta, affectionately known as Chisale, recently celebrated a significant milestone in his career following his maiden performance at the Grateful 3.0 concert in Birmingham, UK.
This gave him a glimpse into the intricacies of event management and an appreciation of arts in a foreign land.
As one of the masters of ceremony, Chisale was immersed in a vibrant atmosphere that showcased the passion of Zimbabweans living abroad.
Reflecting on his time in the UK, Chisale emphasised the importance of time management.
“The arts industry in Zimbabwe, especially music, is not that bad at all. I noticed Zimbabweans here in the UK are starving for local music, hence the full house at the Grateful Experience 3.0,” he said.
And this was not further from the truth. Limited socialisation opportunities often lead to a heightened appreciation for events when they finally occur.
This realisation only deepened his understanding of the cultural dynamics at play.
As a first-time visitor to the UK, Chisale was captivated by the differences he encountered.
“I experienced climate change; imagine at 10pm, it looks like it’s 5pm in Zimbabwe. Birmingham is very smart and the transport system is reliable,” he said, his eyes lighting up as he recounted the bustling city life.
Chisale’s enthusiasm for the UK experience was palpable, as he expressed a strong desire to return.
“This was my first time in the UK and I declare it will not be my last. I want to explore more and gain further experience in my career and daily life,” he declared.
For him, comedy transcends mere performance; it is a way of life.
“I breathe comedy, I eat comedy, I drink comedy. As time goes by, I will evolve and mature like wine,” he said, underscoring his commitment to growth within his craft.
During his time in the UK, Chisale couldn’t help but notice the increasing presence of Zimbabwean artists making significant contributions to the local arts scene. He celebrated their achievements, recognising the “Zimbabwean effect” that has encouraged local artists to strive for excellence.
“Whether it’s music, comedy, fashion, visual arts and film, there is a Zimbabwean effect which has precipitated to put us under pressure back home on other artists who then want to meet the standards and be on the same level with those in a foreign land,” he noted.
He mentioned several notable artists who have garnered international acclaim, such as Kudzanai-Violet Hwami, who represented Zimbabwe at the Venice Biennale, and Fadzai Mwakutuya, who works in Scotland promoting collaboration through her organisation, Afro Art Lab. David Ngwerume, a sculptor, has also gained attention for his Covid-inspired works, while Ronald Muchatuta explores the Zimbabwean diaspora through his art.
Chisale also highlighted Eleana Makombe, who has transformed the landscape of local gospel music in the UK.
These artists serve as inspirations, showcasing the diverse talents emerging from Zimbabwe and the impact they have on the global stage. Observing their successes has motivated Chisale to pursue his own path with renewed vigour. He is keenly aware that their achievements set a standard that he and other artists back home aspire to meet.
As the concert drew to a close, Chisale received positive feedback from the audience, many of whom had only seen him on social media before.
“We used to watch Chisale on social media, and this was my first time watching his live performance. He is relatable and can improve his research on specific subjects,” said Monalisa Made from Yorkshire, echoing the sentiments of many who appreciated his ability to connect with diverse audiences.
Chisale’s experience in the UK has not only enriched his career but has also fostered a deeper appreciation for the arts within the Zimbabwean community abroad. With plans to return and further develop his craft, he stands as a testament to the potential of Zimbabwean artists on the international stage, ready to share their stories and talents with the world.
