Online Reporter
Zimpapers Entertainment and Arts Hub
THE Jacaranda Music Festival once again painted Harare purple over the weekend, bringing together hundreds of fans for three days of music, culture and calm energy.
Held at Thorn Park Polo Grounds from Friday to Sunday, the event lived up to its reputation as one of the city’s most organised festivals — though not without a few talking points.
What stood out most this year was the mature crowd that gathered under the “lilac skies”.
The vibe was relaxed yet festive — no chaos, no drama, just people genuinely enjoying live music.
Couples danced, families picnicked and music lovers soaked in sounds that ranged from local Afro-fusion to international amapiano. It was a reminder that Zimbabwe can host events that are polished, safe and classy.
However, as many fans noted, the festival also needs to find a stronger rhythm between local representation and foreign flavour.
The stage was dominated by South African acts like Mafikizolo, Murumba, Pitch, Vusi Nova and Oskido, who gave stellar performances that kept fans on their feet.
They were joined by vocal group The Soil, who wowed with their harmony and soulful delivery.
Local stars such as ExQ, Enzo Ishall, Agga Nyabinde, Masa Caroleen and DJ Spunj put up solid sets. They had a good day in the office, but for some festival goers, it was not enough.
“It was a great show, but I wish they could give more slots to local artistes,” said Ruvimbo Chidzonga from Helensvale.
“We have so much talent here that deserves that same classy exposure. Bringing international acts is good but, there must be balance, we also want big local names on stage.”
That view was echoed by several concert-goers, who felt Jacaranda risks becoming too predictable if the same big regional names return every year.
Others argued that organisers should rotate acts and spotlight fresh local faces to keep the event exciting.
Still, for many, the experience was worth every cent.
“I have attended all Jacaranda editions, and this one felt refined,” said Tendai Moyo, a long-time fan.
“The crowd was mature, the sound quality was good, and security was visible but friendly. It’s the kind of event you can bring your family to without worrying.”
The inclusion of BET Music as an event partner gave the festival a professional sheen — and a hint of international ambition.
Industry insiders say the collaboration could eventually position Jacaranda as a regional powerhouse, drawing bigger crowds and more sponsors. But even that prospect, some critics noted, should not overshadow the importance of nurturing Zimbabwe’s own creative talent base.
In many ways, Jacaranda is stepping into the space once occupied by the Harare International Festival of the Arts (HIFA) — though organisers insist it’s “not about competition.” The similarities, however, are hard to ignore: both celebrate diversity, creative business and cultural exchange.
Where HIFA once gave a platform to theatre and fine arts, Jacaranda’s strength lies in its music and business dialogue approach.
Production-wise, this year’s edition ran smoothly. Sets started on time, the sound was crisp, and the facilities were clean and adequate. The general sentiment among attendees was that the event is getting bigger and better organised each year. Yet the call for greater innovation and inclusivity remains loud.
