admin
Trust Khosa
CREATIVE genius Mukudzeyi Mukombe aka Jah Prayzah has nailed it in his hard-hitting and yet refreshing visual novel titled “Nhoroondo, THE BOOK”.
The full-length visual book, now available on YouTube, has cemented the 37-year-old’s versatility as a storyteller and writer par excellence.
His novel vividly captures serious themes including the power of true love, resilience, faith, betrayal, and the impacts of avenging spirits known as Ngozi in the vernacular.
In his book, which comes with breath-taking visuals, Jah Prayzah roped in the services of top actress Eunice Chikowore who stars as Mamoyo, the wife of Tawanda played by veteran actor Tapiwa Mavindidze.
Ngoni Chokowere, who stars as Ingidzai, the younger brother of Tapiwa, is part of the star-studded cast.
Other cast members of the book include Davina Green who plays the role of Muchaneta, Joan Marandu (Mbuya Rusike), Mckailer Savanhu (Tsitsi), and Tinevimbo (Tariro).
Kimberly Makumbe and Abijah Makuluni provided the sub-titles of the visual novel.
Set in Seke and Nyanga, Jah Prayzah’s production team made history after setting new trends in the local showbiz landscape.
An early Christmas present to his fans, “Nhoroondo, THE BOOK”, is a must-watch as Jah Prazah handled some of the themes relevant to the society.
His narration was on point with English subtitles making the story appeal to other people who don’t speak Shona.
Jah Prazah has also proved his good command of Shona. His imagination, powerful idioms and the overall flow of the storyline showed the superstar’s other side as a writer.
A talented actor who needs an introduction Jah Prayzah was also included in the visual novel spotting ropy dreadlocks, black costumes, and a long beard depicting his role as a narrator and executive producer.
For those in love with Shona, you can watch this production repeatedly as the visuals, sound, and lighting were expertly done.
It is one of those productions that you can watch over and over again and shed a tear. By roping in seasoned actress actor Chikowore and Mavindidze as the main actors, Jah Prayzah’s camp did their homework well as the pair has been in the game for years.
After all the pair has worked with Jah Prayzah in previous video albums and the chemistry was awesome.
The protagonists, who delivered their roles effortlessly, are not new behind the camera.
With her vast experience in theatre and film, the pair of Mamoyo and Tapiwa who star as a poor couple that leaves their homes in search of greener pastures, impressed in their roles.
The little girls – Tinevimbo and Mckailer – showed maturity beyond their ages. They played their roles with absolute finesse as young girls being raised in a toxic environment by abusive parents.
Many kids, who are left in the custody of close relatives, are exposed to all forms of abuse as was the case with Tariro.
The girl’s life was made a living hell by her aunt who abused her until her mother (Mamoyo) was reunited with them.
Her uncle, Ingidzai, who was left with the custody of Tariro after her mother went to look for employment, is in trouble with his wife Muchaneta for accepting responsibility.
Such cases of people leaving their children under the care of close relatives are common nowadays as many people leave their homes in search of greener pastures.
This has fuelled abuse of children who are left under the care of close relatives. The situation applies to the current trend as people may be leaving Zimbabwe for destinations such as the United Kingdom, USA, and South Africa.
In this storyline, Tariro who was abused by her aunt Muchaneta is reunited with her mother when she returns home with riches.
Sadly, Mamoyo and her husband are poisoned by Muchaneta, sparking a row among relatives who fight over her property.
Tariro’s torment continues as more misery piles up after the demise of her parents. Unlike other stories which are predictable from start to finish, Jah Prayzah’s case was a bit different as more misery piles up for Tariro after the death of her parents.
These cases are a result of avenging spirits that torment generations until rituals are conducted.
Believe it or not, we are still living in an era where we need to uphold our traditions to avoid the wrath of Ngozi.
The story teaches people to avoid shedding blood, which haunts future generations. The Ngozi spirit can only be appeased through rituals where people are expected to part away with their wealth like livestock, which is considered a symbol of riches in African setups.
To show his professionalism, Jah Prayzah roped in a competent production team which he led along with his management of Keen Mushapaidze.
The camp took enough of their time working on this production, which can be easily ranked among the best in Zimbabwe since 1980.
The story was narrated in an engaging way which can bring readers closer.
Online Reporter