Online Reporter
Tafadzwa Zimoyo
Zimpapers Arts and Entertainment Editor
RENOWNED dancer and choreographer John Cole recently expressed joy after participating in Jah Prayzah’s album launch at Old Hararians.
The event featured a diverse line-up of artistes, and Cole worked with rising star Nisha T on the night as they captivated the audience with her electrifying performance.
In an interview, Cole shared his excitement about working with Nisha T, known for her hit song “Admire Kadembo”.
He described the experience as adventurous and unique, highlighting her creative spirit.
“It was definitely a unique experience working with her. She is a very interesting character with a quirky side that makes working with her easy, not forgetting how she really wants to deliver her work to the people,” he said.
Cole appreciated Nisha’s intentionality and expressed enthusiasm for future collaborations.
“We are looking forward to bringing the world more of Nisha Ts and John Cole productions. We want to thank our big brother Tinashe Mutarisi for bringing us together,” he added.
To create a solid choreography that matched Nisha’s vision, Cole dedicated three days to the task. “I just amplified what she did at the NAMAs in February. I decided to intensify the ante by creating an opening act that gives her the edge, especially with the dance stools, acrobatics and elevated performance, which got people thrilled — this is the goal of any international standard performance. I am glad the crowd loved every bit of the act,” he reflected.
With 14 years of experience in the dance industry, Cole emphasised the importance of artistic synergy in his collaboration with Nisha T.
“The key goal was to gel with her on an artistic scale of balance, which broadens the scope of work,” he explained.
Commenting on the current state of dancing in Zimbabwe, Cole noted a growing demand for dancers as the industry continues to develop. “The current state is very encouraging, with the increase of music, corporate work, weddings, and more. The industry is picking up the value we worked hard to instil when we started,” he said.
Cole expressed happiness at seeing the fruits of the foundation laid over the years. “I am quite happy to see the results where dancers are getting paid and treated well. However, like every industry, there will be issues here and there, but it is now less,” he acknowledged.
When asked about managing various personalities during choreography, Cole admitted that it can be challenging but highlighted the need to adapt.
“Every artiste is like a rare gem, each holding a different set of properties that make them distinctive. As a dance choreographer, it’s my job to interpret the flow of what I am given, whether musically or personally. I find it a fascinating place to be,” he said.
Looking to the future, Cole expressed a desire to work with both local and international greats. “I would love to work with Takura, Usher, Feli Nandi, Chris Brown, Master H, Burna Boy, Enzo Ishall, Davido, Exq and Bruno Mars. There’s something about how each of them creates music that hits home,” he said.
Cole particularly admires Usher, calling him a “bonafide artiste, businessman and creative with different skill sets in each department of his career.” He aspires to follow in such greatness. “He is well-versed, so without a doubt, I want to follow in such greatness,” Cole added.
However, Cole also acknowledged the challenges faced by dancers in the industry.
“The road is not always rosy. Financial challenges are a significant hindrance, causing some dancers to abandon their careers,” he said.
Despite these challenges, Cole remains committed to his craft.
“We won’t stop, can’t stop. We must keep pushing as we have done to get here. It’s all in the first step,” he concluded, embodying the resilient spirit that drives his passion for dance.
