Know Your Author: Chinodya

I developed an early interest in writing — and, conversely, reading; by the time I finished primary school I knew I wanted to be a writer. My first novel, Dew in the Morning, was written when I was 18 and later published in 1982. This was followed by Farai’s Girls (1984), Child of War (under the pen name B.Chirasha, 1986), Harvest of Thorns (1989), Can we talk and other Stories (1998), Tale of Tamari (2004) Chairman of Fools (2005), and Strife (2006). My work appears in numerous anthologies, including Soho Square (1992), Writer’s Territory (1999), Tenderfoots (2001), Writing Still (2004), Writing Now (2005) and the forthcoming Laughter Now.

I have also written children’s books, educational texts, training manuals and radio and film scripts, including the script for the award-winning feature film, Everyone’s Child. My books are read and studied worldwide. I have won many awards for my work, including the Commonwealth Writers Prize (Africa Region) and a Noma Honourable mention for Harvest of Thorns, a Caine Prize shortlist for Can we talk and the NAMA award for the outstanding book for Strife. Most of my books have scooped the Zimbabwe Book Publishers Association Awards.

I have received many fellowships abroad and from 1995 to 1997 was Distinguished Visiting Professor in Creative Writing and African Literature at the University of St Lawrence in upstate New York. My fiction seeks to explore and extend the borders of reality, to question and tease matters of identity, class and culture, the past and the present; to explore the human condition in the most interesting and sensitive way possible.

Every time I put pen to paper I ask myself, ‘‘What can my writing do for me and for the world? How can I refine my voice? How can I shock my reader into reflecting on the subject of existence? What is existence anyway, and what is the truth, perceived and otherwise? Can I grab my reader by the collar and make him or her gasp: ‘Gosh, I didn’t know it was possible to do this in a story, to write like this.’”

As a black writer I obviously and primarily seek to portray an African world view but I want my literature to speak to the world as a whole.