Online Reporter
Langalakhe Mabhena, Zimpapers Arts and Entertainment Hub
A collaboration between seasoned instrumentalist Othnell “Mangoma” Moyo and award-winning Afro-Fusion artiste Mary Anibal, took audiences on a full-circle journey of life through their latest musical production, Village to Town, Back to the Village, staged at Alliance Française in Bulawayo on Saturday.
The performance, which drew a mature and engaged crowd, was an emotional exploration of the rural-to-urban migration experience. The storyline delved into themes of identity, culture and belonging, using music as the vessel for storytelling.
The duo’s set presented a unique fusion of traditional Zimbabwean music from Matabeleland, North, East Zimbabwe, Central Mozambique, Njanja and South-East Zimbabwe, enriched with global influences such as Salsa, Funk and contemporary styles. Their performance captured the full essence of transition, modernisation and cultural reconnection.
Kicking off the show at 3pm, Adrian Le Jazz set the tone with a soothing jazz performance that perfectly complemented the elegant setting. His mellow tunes paired beautifully with wine and refreshments, creating a relaxed and inviting atmosphere.
Following him was the dynamic Imbube ensemble Amaqaqa, who, true to form, delivered a polished performance with renditions of Nganono, Amalobolo and their latest single Inkunzi ema Balabala. Their powerful harmonies and stage presence further elevated the night.
Then came the highlight: Mangoma and Mary Anibal introduced their rich, multi-layered sound, a fusion of Mbira, Ngoma, Umqangala, Jazz and Traditional Folk Music. Their presentation not only paid homage to Zimbabwe’s heritage, but also gave it a contemporary twist that resonated with modern audiences.
Their performance transported the audience through the stages of life, from village innocence, through the complexities of urban life and back to cultural roots, all narrated through a vivid and rhythmic storytelling style.
“Village to Town, Back to the Village takes the audience on a journey from the village to the town and back again, highlighting the challenges and triumphs of navigating different worlds. Through music, we weave together the stories of our ancestors and our own experiences, celebrating the richness of our heritage,” said Mangoma.
He explained that the “village” segment reflects Zimbabwe’s authentic, ancient sounds; while the “town” segment features compositions influenced by Funk, Salsa and the distinctive Bulawayo township drumming and singing styles from the late 1990s and early 2000s. Finally, the return “to the village” symbolises the desire to reconnect with one’s culture and restore what was lost through colonisation and urbanisation.
Bringing the production to Bulawayo for the first time was an emotional moment for Mangoma.
“This production touches on experiences familiar to every Zimbabwean, anyone can relate to the music. Returning to Bulawayo also gave me the opportunity to visit my mother, who was instrumental in shaping my artistic journey.
“The city’s love for the arts is overwhelming, and performing here allowed us to engage deeply with the audience and even refine our set based on their feedback.”
Closing off the event was Albinism Konnect Band, who brought energy and heart to the finale, wrapping up a culturally rich and emotionally resonant evening. The event was made possible through the support of the Embassy of France and the Embassy of Switzerland to Malawi, Zambia and Zimbabwe.
