Online Reporter
Mthabisi Tshuma, Zimpapers Arts and Entertainment Hub
A new talent has burst onto Zimbabwe’s theatre scene, setting stages alight with a dynamic blend of storytelling prowess and creative flair. Bred in the bustling heart of Bulawayo’s Nkulumane suburb, Michael Muderere, a name swiftly gaining currency among arts aficionados, appears to possess the rhythms of storytelling and the pulse of creativity in his very DNA.
Famously known by his stage moniker, Mikito, the 24-year-old is a devout lover of all things theatre, and his recent successes suggest he is destined for a lasting career in the spotlight, turning almost everything he touches into theatrical gold.
This year, Mikito cemented his status as a maestro in the making by leading Sacred Heart High School to clinch first place at the National Association of Secondary School Heads (Nash) national drama competitions, securing their position among the country’s elite drama institutions. The rising film and theatre talent attributes his early success to a lifelong dedication to the craft.
“My journey began with a passion for storytelling, nurtured through my involvement in school plays and drama competitions. I further honed my skills through the Geraldine Roche Drama competitions under Langelitsha Arts, workshops, and hands-on experience with Stanis Theatre Production.”
Mikito is deeply inspired by a constellation of established and celebrated theatre players across the country, figures whose greatness he aspires to match or surpass. He finds motivation in the work of his peers and predecessors.
“I’m deeply inspired by Saimon Mambazo’s production prowess — his ability to weave stories into captivating performances is truly remarkable as well as producing outstanding works; Witness Tavarwisa’s directorial genius from Bambelela Arts Ensemble — his unique approach to storytelling is a constant source of inspiration; and Warren Masemola’s captivating performances — his ability to bring characters to life is a skill I admire.”
His artistic inspiration, however, reaches a profound, spiritual level.
“Above all, God, the ultimate creator, who sparks my imagination and fuels my passion for storytelling. The stories and characters in the Bible, especially David, whose courage and faith inspire me,” he shares, expressing gratitude for all the support structures that have made him one of the most promising characters in the corridors of theatre.
His growing list of achievements is impressive, underscoring a rapid rise in a demanding sector.
“I have quite a number of achievements which include winning the Geraldine Roche Drama competitions in 2021 with Inyembezi, a story that shed light on the challenges faced by young people in the arts sector in Zimbabwe. This was our first-time entry, and beating reputable theatre groups was an incredible achievement.
“I have worked with Bambelela Arts Ensemble, participating in radio drama projects, and theatre productions like “Four Angry Zimbos”, which was showcased at the Bulawayo Arts Festival. I am honoured to have shared stage with legends like Leonard Phiri, Josphat Ndlovu, and Gift Chakuvinga in various projects.”
He also notes personal accolades.
“I have also won the ‘Best Funniest Character’ award at the Hive Festival in 2018 and performed at the Mitambo International Festival in various productions, including Langelitsha Arts Ensemble’s ‘Dreams’,” he proudly states.
Furthermore, his coaching efforts have led to remarkable success in secondary school drama competitions, where he trained Mandwandwe High School which “scooped position one at the EITAH High Schools Drama Competitions by Moyoxide Ideations” and, notably, Sacred High School which “took position one, Best Actor, and Best Director under Nash Competitions (two competitions in a row) in 2024 and 2025.”
Despite this flurry of success, Mikito is quick to acknowledge that his journey has not been without its considerable obstacles. He pinpoints the primary difficulties in his field.
“Limited resources and funding have been significant hurdles.”
Yet, this challenge has forced an indispensable lesson in resilience and creativity.
“However, I have learned to be resourceful, collaborate with talented artistes, seek out opportunities that help me grow as an artiste and above all, mastering the art of thinking other terms and creating magic with the little resources that you have.”
His advice to aspiring artistes is simple yet potent.
“My advice? Stay true to your vision, be open to learning, and never give up on your passion.”
Crucially, Mikito is not just focused on the stage; he is also exercising his brain in academia; he is pursuing an Honours Degree in Journalism and Media Studies at the National University of Science and Technology (Nust), where he plans to strategically spread his art.
“I am planning on opening Stanis Theatre on Campus (Nust Chapter) where we will be providing a platform for young artistes to showcase their talents. I wish to continue developing new productions that spark meaningful conversations and inspire change, expand our outreach programs, engaging with more communities and schools through workshops and performances. I also want to pursue ‘Journalism in Theatre’, an ongoing project that applies journalistic standards to play-making and character building,” he says.
This forward-thinking approach is reflected in the impactful projects he has already masterminded, including Inyembezi (2021), a story about the challenges faced by young people in the arts sector; State Of The Nation (2021), a performance that tackled cultural differences and unity; To Whom It May Concern (2022), a play that sheds light on poverty and its deceiving surviving tactics; Denzel and Washington (2024), a production that exposes the risks of defenceless sex; and Labourer 23, a powerful story about a young woman’s journey.
