Online Reporter
Zimpapers Entertainment Hub
ZIMBABWEAN women in music made history over the weekend by staging one of the most talked-about all-female showcases, the inaugural Nubian Notes Concert, aptly themed “Mambo Kadzi — The Rise of Her Sound.”
Although the turnout was modest, the production, energy and artistry that filled the venue told a much bigger story: one of women reclaiming their power and presence in the local and global creative space.
The concert, held at the Harare International Convention Centre, marked a defining moment for Zimbabwe’s female artistes.
It celebrated not just their music, but their creative independence and influence.
Long before the first note was sung, expectations were high, and while organisers had hoped for a larger audience, what unfolded was a vibrant celebration of womanhood, talent and unity.
Globally, women in arts are rewriting narratives and dominating cultural spaces once thought to be male-dominated, from Tiwa Savage’s Coachella-worthy performances to Beyoncé’s genre-bending artistry, and now Zimbabwe’s very own queens are joining the global stage.
The Nubian Notes concert mirrored this global momentum proof that the Zimbabwean woman’s sound, confidence and creativity are ready to take their place in world culture.
At the heart of it all was the “queen” of contemporary Zimbabwean afro-pop-beat herself, Tamy Moyo, who not only set the tone for the evening, but redefined what it means to own the stage.
Dressed in her signature bold purple outfit, a royal nod to her brand of fierce elegance Tamy exuded confidence, grace and undeniable star power from her very first note.
With a blend of glamour and authenticity, she delivered a captivating performance that reminded fans why she remains one of Zimbabwe’s leading ladies.
Her set, which included hits such as “Husiku Hwese” and “Kelly Kelvedhura,” was a perfect fusion of passion and control, theatrical yet deeply personal. “Music has this amazing way of connecting us, and that’s exactly the vibe I want everyone to take away,” she said, her voice carrying both gratitude and conviction.
Her commanding stage presence, flawless vocals, and effortless charisma electrified the audience, instantly making her the night’s undeniable star.
Even with a smaller crowd, every beat, every lyric and every move drew cheers and admiration. Tamy didn’t just perform; she reigned.
Sharing the stage with her were equally formidable women who proved that Zimbabwe’s female artistes are a powerhouse collective. Feli Nandi, Gemma Griffiths, Shashl and Nisha Ts all brought their unique artistry to the concert, turning it into a fusion of music, fashion, and empowerment.
Feli Nandi, resplendent in a black gown with African print accents, charmed the crowd with her effortless vocals and timeless style.
Her set included soulful renditions of “Muti Watemwa” and “Ndowona Iwe,” songs that have cemented her as one of Zimbabwe’s most authentic storytellers. Nisha Ts, the urban streetwear diva, injected the stage with unapologetic confidence and a message that resonated with every woman in the room.
“We are no longer waiting for permission to take up space,” she declared boldly. “We are telling our own stories, building our own platforms and breaking barriers across all genres.”
Her edgy outfit, coupled with her hard-hitting delivery of “Maidei” and “Admire Kadembo,” solidified her as one of the night’s most dynamic performers.
Gemma Griffiths, ever the radiant “Musikana wekuHarare,” brought her signature mix of soul and sunshine. Joined on stage by Nutty O for their hit “Wandoda,” the duo’s chemistry was palpable, and their shared joy infectious. Nutty O later performed his hit “Too Much,” sending the audience into an ecstatic sing-along.
Gemma’s performance was intimate and emotive, a reflection of her personal journey through love, growth, and self-expression.
“Harare will always inspire my sound,” she told fans, her voice full of warmth. “It’s where my story began.”
Shashl was another stand-out of the night — elegant in a black diamond-studded outfit, radiating confidence and style.
Her performance, featuring songs from her new album, “The First Quarter,” showcased a more mature and commanding artiste. Her dance routines, polished and synchronised, revealed the hard work and investment behind her act. Her proud family watched from the auditorium as she delivered her set with poise and power.
“Best believe it — Shashl is the best performer tonight. Her light cannot be dimmed by anyone,” a family member said proudly.
Shashl later surprised fans by bringing King 98 on stage for a brief but electric appearance, adding a fresh twist to her act.
Rising talents Xiba Official, Yahya Good Vibes, and Young Gemini also impressed, proving that the next generation of Zimbabwean artists is ready to shine.
Killer T joined Xiba Official for their collaboration “Bhiya,” much to the delight of the crowd. A touching highlight of the evening came from Soulful Leah and Tina Watyoka, who delivered a moving tribute medley honouring iconic Zimbabwean women in music Tererai Mugwadi, Mai Charamba, the late Chiwoniso Maraire, and Betty Makaya, among others. Their harmonies brought nostalgia, emotion, and reverence to a night already brimming with celebration.
From the power of Tamy Moyo’s performance to the sisterhood and solidarity shared on stage, the night cemented one truth: The rise of “her” sound is unstoppable.
