Online Reporter
Mthokozisi Ncube, Zimpapers Arts and Entertainment Hub
What started as a modest idea by three passionate creatives has grown into one of Bulawayo’s most compelling underground dance events this year, the Beyond The Borders Dance Competition.
Held on November 1, the event drew nearly 90 participants and supporters, showcasing talent from Gweru, Harare, and even Zambia. The competition featured two main categories: Open Style, which incorporated Amapiano and Hip-Hop, and Hip-Hop. Gweru’s Slick That Dancer clinched the Open Style title, while Bulawayo’s Kalton, known in the circuit as Umnu and Thrift, took top honours in Hip-Hop.
Both dancers have built strong reputations locally and beyond Zimbabwe’s borders. Winners shared the proceeds generated from ticket sales.
Adding flair without overshadowing the competitors, Creative Culture, a youth dance group led by Kalisto, delivered the day’s sole showcase performance. Organisers deliberately kept the spotlight on the participants, ensuring the competitive atmosphere remained the event’s main focus.
Reflecting on the experience, organisers admitted that future editions will require tighter planning and a larger team.
“We thought the three of us could handle it, but we learnt the hard way. We needed more hands and more time, probably two or three months of planning,” said Melani Mkhize.
Despite logistical challenges, organisers were encouraged by the turnout.
“This gave me hope. The dance scene just needs a serious push,” another organiser said, noting that the enthusiastic reception proves Bulawayo is hungry for creative platforms.
However, the event also underscored the financial realities facing the arts. Without sponsorship, organisers relied on personal funds and limited resources.
“It got really stressful. It drained me financially, and I had to delay personal plans just to make sure this happened. But I’m glad I did,” one said.
For many, the event was more than a competition; it was a statement. It reaffirmed that while Bulawayo’s creative sector is rich in talent, it remains starved of platforms and financial support.
“Dance changes lives, but right now it doesn’t provide stability. That’s what we want to change,” an organiser noted.
Looking ahead, the team aims to host the competition at least three times a year, depending on public demand. Invitations to expand the concept to Botswana, South Africa, and Zambia have already been received, and there is growing interest in introducing inclusive dance workshops for young people.
