WHAT THE HELL DID THE SKIMPY DRESSERS SMOKE?

Zimpapers Arts Hub Correspondent

EVEN for a tabloid like us, some of the pictures of Zimbabwean women who chose skimpy dressing when they attended the annual Zimfest UK at the Hertfordshire Showgrounds on Saturday, are too graphic to publish.

That alone probably tells you how bad it was.

The photos have flooded social media and have overshadowed what was a good time out for hundreds of Zimbabweans.

Outfits that many deemed inappropriate quickly became the trending topic on social media, igniting a fierce debate among Zimbabweans.

While a few praised the boldness of these fashion choices, the majority were outraged by the wild fashion sense and described it as a disgrace to the values which have always shaped us as Zimbabweans.

The backlash has been swift and loud with countless comments flooding social media platforms denouncing the dresses, many of which left the backsides of the women showing to the public, as disrespectful.

Social media guru and socialite Jackie Ngarande said this was unacceptable.

“Abiyangu weeeee, public spaces deserve self-respect too. Kushama chete sandiko kuchena.

“There’s a difference between embracing confidence and completely discarding decency.

“Dressing almost naked at a large public gathering where people of all ages, cultures, and sensitivities are present isn’t bold, it’s inconsiderate.

“We talk a lot about freedom of expression and that matters but freedom comes with responsibility.

“When your choice of dress becomes a spectacle that overshadows the purpose of the event or makes others uncomfortable, it’s no lonWger about confidence, it’s about seeking attention at any cost.”

She later urged women to normalise confidence with class.

“Abiyangu not nudity for shock value. You can be noticed, admired and respected without leaving your dignity at home.

“This isn’t a private photoshoot or a strip club. It’s a public event yemasikati futi.

“And if the only way you know how to stand out is by undressing kushama seuri pakutsvaga , then maybe it’s time to question what you’re really bringing to the table, because true confidence doesn’t scream for attention, it commands respect without losing self worth.”

Ngarande said people should stop pretending vulgarity is empowerment.

“Dressing with decency doesn’t make you weak, it makes you self aware.”

Another fashion icon, who spoke on condition of anonymity, said what was displayed at ZimFest was unacceptable.

“Ndiwo ma nurses acho here, ma COS acho, aiwa marasa hunhu.

Another one added:

“We have a rich culture that deserves to be represented in a dignified way.”

This controversy highlighted a growing generational divide; older attendees called for a return to more conservative attire while the younger crowd embraced the Amapiano section of the festival, where modern styles flourished amid energetic dances.

Artists like DJ Maphorisa and Young Stunna captivated massive crowds, turning the dance floor into a sanctuary of youthful exuberance.

“This is our culture too,” a young woman said, emphasising the importance of blending modern influences with their cultural roots.

Despite the uproar, Zimfest was a resounding success in many aspects.

Performers like Nisha Ts, Winky D, Jah Signal, and Saintfloew electrified the crowd, while families danced together and children, with painted faces, embodied the spirit of joy and connection which the festival celebrates.

Many shared memories, reinforcing Zimfest’s role as a reunion for the Zimbabwean community.

Exhibitors voiced their appreciation for the event, which provided a platform to showcase Zimbabwean products and cultural heritage.

One vendor said:

“We cooked sadza and displayed our traditional wares, just like we are in our country, Zimbabwe.”

They praised the festival for fostering connections and offering a taste of home in a foreign land.

However, the debate over fashion choices continued to simmer, with many Zimbabweans arguing that the festival should reflect their values and traditions.

“We should be proud of who we are and how we present ourselves,” another guest said, emphasising the need for a balance between tradition and contemporary expression.

As Zimfest UK 2025 came to a close, it became evident that while the festival remains a cherished tradition, it is also a space where discussions about cultural representation and identity are evolving.

While the fashion choices may have sparked controversy, they also opened the door for meaningful conversations about what it means to be Zimbabwean in a global context.

With each passing year, Zimfest continues to grow and adapt, reflecting the changing landscape of the Zimbabwean diaspora.

 

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