Online Reporter
Langelihle Dube, Zimpapers Arts and Entertainment Hub
AS the festive season beckons and party-goers prepare for nights of pure groove, one name rapidly becoming synonymous with energy and originality behind the decks is DJ Stout. Whether commanding a buzzing nightclub or igniting a festival stage, DJ Stout — real name Bradley Andile Masawi, hailing from Bulawayo — has one mission: to make people move and to do it his way.
Already, he has graced the stages of the HCM Festival, Piano Fest, Bulawayo Shutdown, Shorts and Shades, Piano Cuzzle and House in CBD, among others. His strength lies in fearless creativity, effortlessly blending Naija music with Kwaito grooves, Amapiano, Hip-Hop, Electro, Afro-Tech and Deep House to craft a sound uniquely his own.
“The name DJ Stout has two meanings for me. One is bold and brave and the other — pronounced differently — suggests being naughty while appearing innocent,” he shared in an interview.
The name stuck after a get-together with friends, where people described him exactly that way: innocent on the outside, a little mischievous inside.
“When it came time to choose a stage name for a poster, that name came to mind. I realised it perfectly described my character — brave, ambitious and just a bit naughty with an innocent face. I wanted something that would always remind me of who I truly am.”
Like many DJs starting out, Stout’s journey began with passion, not payment.
“I didn’t mind playing for free. Most people in this industry start that way,” he said.
What began as a hobby gradually turned serious. Nights out with friends became study sessions as he observed other DJs perform, telling himself, I want to be like this too. His first break came when Ezra and Taurai, managers at a city steakhouse, gave him a shot behind the decks.
“That was the first time I was paid. It made me work harder because I realised this could actually become something.”
Stout describes himself as an open-format DJ, comfortable across genres from Naija, Kwaito, and Hip-Hop to Electro and Amapiano. But house music is where his heart truly lies.
“That term (house music) covers 3-step, Afro-Tech and Deep House. I like to study the crowd first, then play what I need to keep them happy,” he said.
His preparation reflects that precision.
“When I have a gig, I take at least three days to prepare my set. I never go with just one playlist. I always have a backup, in case the DJ before me plays some of my tracks. I research the event, look at previous guest DJs and study the audience.
“That’s why I’m always early — you have to know your crowd before you move them.”
Interestingly, Stout is not just a DJ. He has also ventured into music production. Though he has a few unreleased tracks, he’s taking his time before releasing anything.
“I want to release tracks when I’m fully polished. I’ve worked with Mr Rain from the US, who connected me with Just Percy — one of Bulawayo’s finest producers — to help me learn more about production.”
His growth has also been shaped by the local music scene.
“Interacting with artistes like Mzoe7 and Ma9ine helped me learn how to navigate the industry. It’s all about relationships and good public relations.”
Asked which gig made him feel like he was truly on the rise, Stout cited the Unlock Party at Lobengula West. This annual event, designed to spotlight emerging talent, is the brainchild of South Africa-based musician, Diliza.
“It was special because it was held in my hood. Feeling loved and appreciated by your own people — that’s the best feeling. The crowd was insane, lights flashing, people taking videos. It was unforgettable.”
Another standout moment came during a gig at The Smokehouse on Friday, December 30, 2022.
“It was a full house. The crowd was vibing to Amapiano. At one point, a guy came to the booth and threw money at me, showing appreciation for the set. That moment stuck with me.”
Now under new management with Harris Entertainment’s Jordan Dube, Stout feels ready for the next chapter.
“It’s going to be a long journey, but a good one.”
He also credits those who have guided him.
“My first mentor was DJ Smith on Deck from Harare. Since then, I’ve maintained close relationships with other DJs who inspire and help me grow. Support from home has grown too. My parents didn’t like the idea of me being a DJ at first, but now I have their full support. And my friends — especially Sisa, who’s been my plus-one since day one — keep me grounded.”
Looking ahead, he dreams of playing at the famed Garden of House, an event he describes as “well-organised with a crowd that truly loves house music.”
Beyond that, he hopes to represent Zimbabwe on global stages.
“I really want to play outside the country at big festivals to show what our city can do.”
Asked what he wants people to think after hearing him play, his answer is simple: “I want them to ask, ‘How old is this boy? Where is he from?’ And for those who don’t know me, to be eager to find out more.”
