Online Reporter
IN the spotlight this week is Cooper Man, a dynamic radio personality and seasoned music producer from Bulawayo, whose influence in the music industry spans more than 17 years. Cooper Man has become a household name for his unique blend of African rhythms and contemporary house music — a style that resonates with audiences both locally and beyond.
At the heart of his contribution to the industry is Bulawayo Knights Records, a label he founded to nurture and promote local talent. Under his leadership, the label has shaped the careers of a new generation of artistes, including Masofa, Constable Stop Nonsense, Ama Shepherd, Lewanika M, Phiwe Mwelase, Fab G Mshana ka Gogo, Bob Skinnah, Acquillah K, Maqhuzu, Revonia, La Dee and many others.
His work has earned him two Bulawayo Arts Awards (BAA) nominations, recognising his impact on the local music scene. His hit track Mpalakazi has also received major airplay on platforms such as Trace and Channel O, showcasing his growing influence across Africa.
DJ Prince Eskhosini had a chat with the musician, and below is the interview:
Q: What inspired you to pursue a music career?
A: Music has always been part of who I am. Growing up in Bulawayo, I was exposed to a rich mix of traditional sounds, gospel harmonies and township rhythms. That diversity shaped my sound and inspired me to create music that celebrates my roots while telling a modern African story.
Q: Can you tell us about your early days in the music industry and how you landed your first radio hosting gig on Skyz Metro FM?
A: My early days were all about learning, experimenting, and building relationships with people who believed in my talent. My first professional radio job was with ZBC, where I spent nine years, mostly with Power FM, before moving to National FM and Radio Zimbabwe. I also had a brief stint with Star FM before returning to Radio Zimbabwe. The real turning point came when Skyz Metro FM offered me a chance to host a show named after me, #UrbanMetroDriveWithCooperMan. That platform gave me the freedom to express myself and connect with the youth in a way that helped shape both my broadcasting and music careers.
Q: How would you describe your musical style, and what influences have shaped your productions?
A: I’d describe my style as a fusion of African soul, house and Afro-tech. My sound is shaped by African rhythms, jazz, gospel harmonies, the stamp mill sound and modern dance music. I’ve also been inspired by legendary figures like DJ Fresh, Oskido, Vinny, Greg Maluka, and Christos, as well as other international producers who have influenced the way I create and refine my music.
Q: What drives your creative process?
A: The message always comes first. With Mpalakazi, I wanted to celebrate African beauty and the joyful spirit of December — that vibe of going out and returning home in January. With Uhambile, I focused on the emotions of loss and moving forward. Real-life experiences guide my creativity, and I build each song around the story I want to tell.
Q: How do you balance blending African rhythms with contemporary house music to create a unique sound?
A: It’s all about respecting both elements. I keep the African rhythms authentic to their roots, then layer them with modern house textures. This balance keeps the music fresh and global, while still staying grounded in our culture.
Q: How do you identify and nurture new talent in the Zimbabwean music scene?
A: I look for passion and originality first. Once I see that, I mentor the artiste, help shape their sound, and provide studio time and exposure. It’s about guiding them to discover their own unique voice rather than copying trends. I also make it a point to attend various events around the city, from live shows to theatre performances, to spot fresh talent.
Q: What inspired you to start Bulawayo Knights Records, and what goals did you have for the label?
A: I started the label because I saw a lot of raw talent in Bulawayo that had no platform. My goal was simple: to give unknown artistes a voice and show that world-class music can come from our city. Over the years, I’ve watched many of those once-unknown names grow and become prominent on the local music scene.
Q: Can you share some success stories about artistes you have worked with through the label?
A: I’ve worked with artistes like Novuyo Seagirl, Qeqeshiwe, Fab G, Masofa, Bhila, Lewanika M, Hwabaraty, Maqhuzu and Diliza. Their musical journeys started with Bulawayo Knights Records, and many of them have gone on to become household names. Watching their growth has been one of the most rewarding parts of my career.
Q: What do you enjoy most about working with other artistes?
A: Collaboration brings fresh energy. Every artiste has their own creative language, and when we come together, we push each other beyond our comfort zones — that’s how timeless music is made. Working with talents like DJ Clock, Reloaded, Bekzin Terrence, DJ Mshega, Rokboyz and Groove Lounge has taught me a lot. These collaborations weren’t just about making music; they were about sharing ideas, learning professionalism, and taking the studio process seriously. Those experiences have sharpened me both as a producer and as an artiste.
Q: Can you tell us more about your upcoming single featuring Nokwazi?
A: This collaboration with Nokwazi is special because it blends my Afro-house style with her powerful vocals, which are loved across Africa. The track is more soulful and international in its approach, and I believe it will resonate with both local and global audiences.
Q: What does it mean to you to have your music featured on major platforms like Trace and Channel O?
A: It’s a dream come true. Growing up, I watched those channels, so seeing my music there now is a reminder that hard work pays off and that African music belongs on the global stage.
Q: How does it feel to have received nominations for the BAAs?
A: It’s humbling. For me, it’s not just about personal recognition; it’s proof that the industry sees and values the work I’m doing.
Q: What are your plans for Bulawayo Knights Records in the next few years, and how do you see the label evolving?
A: The vision is to grow Bulawayo Knights Records into a fully-fledged African powerhouse — a label that discovers, develops and exports talent across borders. I see us competing with the biggest African labels in the coming years, which is why I’m also studying the business of music at a higher level to strengthen our foundation.
Q: You mentioned believing in sharing the cake with everyone. How do you think music can be used to uplift and unite people, and what impact do you hope to make through your work?
A: Music is universal; it cuts across language, culture and background. I believe when we share opportunities, we build an industry that benefits everyone. I hope that my work inspires collaboration, unity and pride in African identity.
