Online Reporter
Trust Khosa-Zimpapers Arts and Entertainment Hub
GOSPEL diva Dorcas Moyo says consistency and hunger to learn from the best have helped her remain afloat in the highly competitive genre.
Having started recording in 2006 and still going strong 20 years later, the queen of praise and worship is showing no signs of slowing down.
Unlike the proverbial prophets who are not honoured in their homeland, Moyo has cemented her dominance in Mutare, where she is based.
She is set to replicate last year’s feat when she launches her 11th album, titled “Korona Yeimvi”, at Manicaland Showgrounds on October 31. Last year, she launched her 10th album, “Mugeri Tsvatu,” at the same venue in Mutare, with performances from Alick Macheso, Leonard Zhakata, Suluman Chimbetu, Fungisai Zvakavapano, Pastor Tinashe Murigo, Ashton “Mbeu” Nyahora, Mathias Mhere and Baba Harare.
Asked why she continues to launch her albums in Mutare, Moyo said consistency was one of the pillars driving her musical career.
“It is one of our strategic pillars to ensure that we are consistent in our craft and, as required by such, we are obligated to release an album every year. Hence, 2026 is no exception.
“This year’s offering is a complement to our previous pieces. There is visible maturity in the lyrical content. There is also a bit of AI infusion and some exhilarating collaborations on the album,” she told Zimpapers Arts and Entertainment Hub.
The energetic performer, who is complemented by an equally talented group, said she always gives her all on stage.
“We are an outfit driven by the desire to make an impact by transforming lives, creating better people, enhancing spirituality, and ultimately populating heaven. We are not competition-driven, and the only people we compete with are ourselves.
“We strive to do better than our last projects. The Alick Machesos and Charambas are gurus in the music industry, and we continue to learn from them. We will never take aim at them, but will always complement their efforts in their various areas of speciality.”
Moyo also expressed confidence in Olin Anderson of Kunashe Studios, who has produced most of her works.
“The production is almost complete. I can say 80 percent of the work is done, and we have left everything to our producer, Kunashe Studios, to polish up the project.
“I believe there is no need to break a working formula. We have worked together with Kunashe Studios for a long time, and we trust their handiwork.”
Despite her fame, Moyo has remained grounded.
“I have learnt to be humble in life, as I have been at either extreme of life. Just like the words of Apostle Paul, “I know to lack and to have in abundance” (Philippians 4:12-13).
“There is no need to behave in an acceptable way because fame is following you. One should always strive to be a perfect fit in society, regardless of one’s standing. Knowing that someone is looking up to me always keeps me on my toes to be a good example.”
She added:
“I cannot say I have a secret to success, but I take my work seriously and never take my listeners and followers for granted. When I step into the studio, I respect my audience and will never want to offer them a half-baked product.
“I am also a prayerful person. I speak to God often. I also have to commend my shrewd management, which guards the brand jealously and always contributes to the attainment of our goals.”
Moyo also believes the appeal of gospel music remains unmatched in Zimbabwe.
“Gospel music is growing significantly in Zimbabwe, as we have seen a plethora of artistes sprouting across the country.”
Beyond “Korona Yeimvi”, Moyo boasts a rich catalogue of albums released over the years.
These include “Ndokusheedzai Jesu” (2006), “Ndinokutungamirira” (2009), “Zvininipise” (2018), “Ndibatisrei Mwari” (2019), “Pamarah Tapfuura” (2020), “Bvisai Marara” (2021), “Bvudzi Rangu Ramera” (2022), “Mhanza Haisekwi” (2023), “Mvere Dzabvepi?” (2024), and “Mugeri Tsvatu”, released last year.
