Online Reporter
Langalakhe Mabena, Zimpapers Arts and Entertainment Hub
DESPITE captivating theatre enthusiasts with an exceptional showcase at the Bulawayo Theatre, Mehluli Gomez Dube, choreographer for the Movement And Dance (MAD in Africa) production, has revealed that the performance remains a work in progress, with only 30 percent of the envisioned concept realised so far.
The production made a striking impression during the opening week of the 50 Dates at the Theatre series, staged on August 22 and 23, thrilling audiences with a spectacular fusion of over 20 African dance styles set to vibrant music — creating a true continental celebration on stage.
“MAD in Africa was staged twice last week, and we’re delighted that over 400 people attended across both shows.
“The response was overwhelming. It’s a sign that we’re heading in the right direction, even though we’ve only achieved 30 percent of what we envision for the production. It’s a promising start for a project that was prepared in less than a week,” said Dube.
The creative vision behind the production is credited to arts curator Saimon Mambazo Phiri, who conceptualised and directed the show. Supporting the effort behind the scenes were Pride Mangoma Phiri (stage manager), Nomashawekazi Damasane (lights and storytelling), and Tawonga Sunshine Phiri (set and costumes).
The cast features a vibrant mix of artistes drawn from across the country, including Harare, Masvingo, Gweru, Bulawayo, Gwanda, Plumtree and Victoria Falls.
Groups forming the ensemble include Hwamanda Dance Group, Bolamba, Umkhathi, Iyasa, Imvimbi, Ezimnyama, Simunye Simunye, Asante Mo, Jabulani, Thandanani Women’s Ensemble, Sizwe Sabatsha, Culture Warriors and Siyaya Arts.
Dube explained that the essence of the production lies in portraying how Africans have always told stories through music and dance, whether at funerals, celebrations, or traditional rituals.
“MAD in Africa is about the journey of dance and its impact on social gatherings across the continent. Africa is renowned for its rich movement and dance culture, regardless of the nature of the occasion.
“Some of us have travelled around the world and witnessed how African dances are embraced globally. This inspired us to create a production that brings together diverse African dances, performed by Zimbabwean dancers, in one ground-breaking showcase,” added Dube.
With the production heavily youth-driven, Dube expressed confidence in the future of dance in Zimbabwe, citing the dedication and energy of the young performers.
“These youngsters are amazing dancers and they are eager to learn. This project will elevate them to become some of the greatest dancers in the country, as they’ll gain exposure to different dance styles from across the continent,” he said.
Dube confirmed that MAD in Africa will return for the 50 Dates at the Theatre series, with plans already underway for a national tour.
