NO WOMAN, NO CRY! . . . Women barred from Madzibaba Zakaria’s final resting place

Trust Khosa in CHIWESHE

THEY were a big part of his fan base but, when the time came to say goodbye to Sungura godfather Nicholas “Madzibaba” Zakaria at his final resting place here yesterday, the women were barred from the burial ceremony.

The burial was held in a manner that honours his deep cultural roots.

Following the tradition of a Muslim burial, Madzibaba’s final send-off was a blend of reverence and cultural significance.

His body was wrapped in a white cloth, reflecting the customs upheld by village elders who guided the ceremony.

The elders insisted on adhering to traditional practices, demonstrating the community’s respect for their customs.

In a poignant display of these traditions, women were barred from the burial site.

The ceremony for the 69-year-old musician was a fitting tribute to a man who has profoundly influenced the music industry.

Many will remember this day long into the future, filled with heartfelt tributes and celebrations of a life dedicated to music and mentorship.

Madzibaba’s legacy as a transformative figure in the music scene was evident as notable artists gathered to pay their last respects.

Alick Macheso, one of his biggest protégés, described him as a father figure and expressed deep sorrow over his death.

“Words are not enough to express the grief I carry,” he said.

Madzibaba stood as a beacon of professionalism and compassion, a man of the people whose contributions will continue to resonate.

It became clear that Madzibaba’s mentorship extended beyond music; he was known for shaping many aspiring artists into disciplined professionals.

His impact reverberated through the generations, inspiring not only his contemporaries but also the new wave of musicians entering the industry.  Madzibaba Zakaria’s story is not just one of personal achievement, but also a narrative of community, growth, and the enduring power of mentorship in the arts.

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