Langalihle Mhiti
Zimpapers Entertainment Hub
A NEW gospel music awards initiative has sent ripples of excitement across Zimbabwe’s arts sector.
It has drawn applause not only from gospel musicians but also from key arts authorities who see it as a timely intervention in a long-marginalised genre.
The Shekainah Gospel Awards Zimbabwe, set to be launched next month ahead of a glitzy awards ceremony scheduled for the end of October, have been widely welcomed as a bold step towards giving gospel music its own dedicated space—something artists and stakeholders say has been missing for years.
“This is long overdue,” said one gospel artist, who spoke on condition of anonymity.
“As gospel musicians, we are often celebrated on mixed platforms, but rarely do we get something that speaks directly to our ministry and craft. Even though some of us may later be nominees or participants, we are genuinely happy this platform is coming.”
Another artist echoed the sentiment, admitting that anonymity was necessary given their possible future involvement. “People will say we are praising it because we want nominations,” the artist said.
“But honestly, this is bigger than awards. It’s about recognition and respect for gospel music.”
At the centre of the initiative is Macdonald Chidavaenzi, a seasoned music producer and the visionary founder of the awards.
Chidavaenzi says the overwhelming response confirms that the gospel industry has been yearning for its own altar.
“This is about restoring honour to gospel music,” Chidavaenzi said.
“Gospel has always carried the nation spiritually, but it hasn’t always been given a platform that reflects its true contribution.
“We believe it deserves its own space, its own standards and its own celebration.”
Chidavaenzi dismissed suggestions that the new awards might divide the gospel fraternity or duplicate existing efforts.
“Globally, excellence thrives where there is diversity,” he said.
“Film has the Oscars and Golden Globes, music has the Grammys, BETs and AMAs. These platforms coexist and strengthen the industry. Gospel music should not be limited to one voice or one stage.”
He added: “More platforms mean more opportunity, more visibility and higher standards. One awards ceremony cannot carry the whole industry.”
Chidavaenzi’s credibility within the gospel space has also strengthened confidence in the project. “Zimpraise taught me that Zimbabwean gospel can stand on global stages when excellence is pursued,” Chidavaenzi said.
“That same vision is what we are bringing into these awards.”
NACZ director Agga Nyabinde described the Shekainah Gospel Awards Zimbabwe as a progressive and necessary development within the country’s cultural ecosystem.
“Gospel music plays a critical role in Zimbabwe’s cultural and spiritual life,” Nyabinde said.
“We welcome initiatives that promote excellence, professionalism and sustainability in the arts. The Shekainah Gospel Awards align with our mandate to support diverse artistic expressions, including faith-based art forms.”
Nyabinde added that NACZ views the awards as a platform that can uplift standards within gospel music. “When artists are recognised and celebrated, it encourages growth and innovation. We are pleased to endorse an initiative that seeks to formalise recognition in the gospel music sector.”




