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A SOUTH African IsiXhosa short film, ‘The Last Ranger’, which tells a powerful story about rhino poaching and conservation efforts, could win an Oscar at the 97th Academy Awards in Los Angeles in March.
The film was directed by Cindy Lee.
“On behalf of our incredible partners at MTV Documentary Films and executive producer Sheila Nevins, we are so thankful to the Academy and deeply humbled by this recognition,” said Lee.
“In polarised times, acts of grace and forgiveness remind us of our shared humanity, and we are eternally grateful to John Henry Ramirez and Aaron Castro, for showing us that hope exists even in a place like Texas death row.
“Congratulations to our fellow nominees − we are honoured to be in your company, and to share the power of short documentaries with the broader film community.”
Rhino poaching is one of South Africa’s most pressing environmental crises.
Every day, these majestic creatures face slaughter for their horns, driven by the illegal trade that feeds international markets.
According to reports, more than 1 000 rhinos are poached annually, primarily in South Africa, which is home to 80% of the world’s rhino population.
The impact of this crisis extends beyond wildlife − it deeply affects the communities surrounding conservation areas, who are often torn between survival and sustainability.
Enter The Last Ranger, a gripping film that shines a light on these critical issues.
Directed by Lee and starring Avumile Qongqo, it delves into the socio-economic struggles and environmental challenges tied to rhino conservation. The Last Ranger’s shortlisting for the Oscars brings global recognition for its powerful narrative and stunning cinematography.
The film is competing in the best live action short film category.
This acknowledgment from the Academy underscores the film’s ability to transcend borders, shedding light on the urgent issue of rhino poaching while celebrating South African storytelling.
Executive producer Anele Mdoda describes it as a “brilliant piece of work” that not only delivers a powerful message but also captivates with its storytelling and performances.
At the heart of The Last Ranger is Khuselwa, a character brought to life with profound depth by Qongqo.
Reflecting on her role, Qongqo explains how Khuselwa’s connection to the rhinos goes beyond mere duty.
“For me, a rhino is not just an animal,” she shares.
“The connection that I have made at that point is that they are my family. So, my sense of protection, really, is way deeper.
“When they are harmed, it does feel like I am losing a big part of me.”
Khuselwa, a female ranger navigating a predominantly male profession, embodies quiet resilience.
Qongqo was deliberate in portraying her strength subtly, allowing the audience to perceive her emotional depth without overstatement.
“It was important to keep some of that strength to myself and trust that the audience is going to get it.”
Qongqo’s personal journey also informed her portrayal of Khuselwa.
“I was going through a lot of grief and that became a passageway to access Khuselwa’s emotions. I borrowed a lot from myself,” she reflects.
This personal resonance created a cathartic experience for the actress and added authenticity to her performance. − Mail & Guardian/Mint/Agencies
Lee, the film’s director, emphasises the significance of taking The Last Ranger beyond conservation circles and into the hearts of audiences globally.
“It is so important to keep conversation alive with everybody else who is not involved in the communities,” she explains.
In addition to highlighting rhino poaching, the film delves into the socio-economic struggles faced by the communities surrounding conservation areas.
“We want to empower the community to get involved, especially the youth,” Lee says.
Online Reporter