Newsprint, truth, identity take centre stage at “Fragrancies of Truth” exhibition

THE National Gallery of Zimbabwe in Bulawayo became a hub of introspection, creativity, and social commentary as the 2026 Resident Artists unveiled a compelling group exhibition titled “Fragrancies of Truth” last Thursday.

Featuring an eclectic blend of painting, fashion, textiles, drawing, anime, handicraft and mixed media works, the exhibition challenged audiences to interrogate historical narratives and their lingering influence on contemporary society.

Yet amid the array of artistic expression on display, one artist undeniably stole the spotlight.

Visual artist Keith Ryan Chikoza captivated attendees with his striking ensemble titled, “Echoes of Our Wave”, an outfit crafted entirely from layered newspaper, denim and wire. Bold, unconventional and deeply symbolic, the wearable artwork quickly became one of the evening’s most talked-about pieces, drawing crowds eager to photograph and interpret its meaning.

According to Chikoza, the ensemble was inspired by the powerful role media continues to play in shaping Zimbabwean identity and public consciousness.

“My Echoes of Our Wave ensemble — crafted entirely from newspaper layered over denim and wire – symbolises how modern media shapes our daily narratives in Zimbabwe. The newspaper clothing represents the constant flow of information and stories that influence our cultural identity, while the denim base grounds the piece in traditional craftsmanship. Together, they form a ‘wave’ of social commentary, showcasing resilience and the blending of old and new in our community,” he explained.

The exhibition itself seeks to provoke deeper reflection around history, truth and memory. Through diverse artistic mediums, the participating artists posed challenging questions: Which historical narratives have shaped modern society, and are those narratives always truthful?
The exhibition featured works by Abigail Nyasha Hunda, Cherish Waldman, Chikoza, Mthokozisi Zwelithini Ndlovu, Nothemba Hilda Dube, Ntabiso Gift Dube, Picasso Leon, Patricia Sbanesihle Banda, Ryan Ross Gondo, Talent Kapadza, Yolanda Ngwenya and Zibusiso Magonya.

Before guests immersed themselves in the exhibition, musical duo Adina Stonë and Natë provided entertainment, setting a reflective and emotionally charged atmosphere for art enthusiasts, critics and creatives gathered at the gallery.

Guest of honour, Mrs Permanent Ngoma, in her opening remarks, praised the exhibition for presenting truth not merely as something visible, but something deeply felt.

“Even the title is powerful. Not Images of Truth, but Fragrances. Truth that cannot only be seen, but felt. Truth that lingers long after you leave the room. That is what meaningful art does,” she said.

Ngoma also underscored the importance of artistic residency programmes in nurturing local talent, particularly within challenging economic environments where many creatives struggle for sustainability and recognition.

“Cities are not only built by roads, budgets and infrastructure. They are also built by stories, memory, imagination and culture. Artists help us reflect on who we are, what we are becoming, and what we sometimes struggle to say aloud,” she noted.

She commended the National Gallery’s residency initiative for giving artists the, “space and dignity to think, create and grow,” while urging emerging creatives to continue drawing strength from their local experiences and communities.

“To the resident artists, what you are doing is not easy. Creating meaningful work in Bulawayo, and in Zimbabwe today, requires determination and courage. Every piece displayed here represents a decision to keep creating despite the challenges around you,” she added.

Among the exhibiting artists, Magonya described the evening as both affirming and emotionally fulfilling, particularly witnessing audiences engage deeply with the works on display.

“Thursday night’s ‘Fragrancies of Truth Exhibition’ was a rewarding experience as an exhibiting artist. Seeing people engage with the work, share their interpretations, and connect emotionally with the pieces reminded me why we create in the first place,” he said.
“The atmosphere was intimate, thoughtful, and full of genuine appreciation for artistic expression. I’m grateful to everyone who came through, supported, and contributed to such a beautiful evening of art, conversation and truth.”

What also stood out throughout the evening was the remarkable turnout of art lovers from across the city, a development many viewed as evidence of Bulawayo’s growing appetite for contemporary visual art and experimental storytelling.

The guests filtered through the gallery spaces, lingering over paintings, sculptures and installations, with the exhibition succeeding not only as an exhibition, but as a conversation — one rooted in memory, identity and the enduring power of art to confront, question and reimagine society. – Follow on X @MbuleloMpofu