Online Reporter
Tafadzwa Zimoyo
Zimpapers Entertainment Editor
FILMMAKER Edmore Ndlovu says the local film industry is on the verge of something big.
He believes productions like his forthcoming movie, ‘Bhachi,’ are proof that the local industry is on the brink of a major breakthrough.
“The industry is on the edge of something big,” he said.
“There has been steady growth over the years, and now we are seeing filmmakers taking control funding their own projects and working within their means.”
He said access to equipment and technology has improved significantly, making it easier for creatives to produce quality work.
“We are no longer limited the way we used to be,” he said.
“The tools are there. What we need now is structure and support.”
“We are building a catalogue, building an industry and showing that Zimbabwean stories matter.”
Ndlovu said the gap between Zimbabwean productions and global streaming giants like Netflix is not as wide as many believe.
“To meet Netflix standards, it’s not really about quality, we are already capable,” said Ndlovu.
“The real issue is business. Platforms like Netflix look at markets with strong numbers and growth potential. That’s why you see more content from South Africa and Nigeria.”
He said that Zimbabwean filmmakers must focus on building a viable market that attracts international investment.
“From a storytelling and technical perspective, we can compete with the best,” he said.
“What we need is consistency, support from institutions and a deliberate effort to position Zimbabwe as a serious film market.”
Ndlovu’s remarks come as anticipation builds around Bhachi, a locally-produced film that is already generating buzz for its unique origin and bold distribution strategy.
The film, which traces its roots back to a 2012 short film project under ZimTales, has been expanded into a full-length feature after the original version scooped a National Arts Merit Award (NAMA) for Best Short Film.
According to Ndlovu, the decision to revisit and expand the story was driven by its untapped potential.
“The foundation of Bhachi was always strong,” he said.
“When a story wins at that level, it shows there is something powerful there.
“Expanding it into a full film was the right move because it allows the story to breathe and connect more with audiences.”
The new version promises more drama, deeper character development and unexpected twists elements that Ndlovu believes are crucial in capturing modern audiences.
“People want layered stories now. They want something that keeps them thinking and engaged,” he said.
“Bhachi brings those twists that make it stand out.”
In a significant shift from traditional film releases, Bhachi will premiere on a digital platform, a move Ndlovu describes as both strategic and necessary.
“Releasing on YouTube is a smart move,” he said.
“It removes barriers and allows the film to reach more people instantly. At the same time, it creates a revenue stream that filmmakers can control.”
He said the future of Zimbabwean cinema lies in such innovative approaches.
“We cannot always rely on cinemas or external platforms,” he said.
“We have to build our own systems that sustain us as filmmakers.”
Beyond its release, Bhachi is also expected to make appearances on the international festival circuit, further amplifying its reach.
“Film festivals are important for visibility and credibility,” said Ndlovu
“They open doors and create opportunities for collaborations.”
The film boasts a strong cast line-up which includes Zolile Makeleni, Collin Ncube, Tadiwa Mhaka, Muriel Tavaziva, Tanya Marabada and Crynet Josifati, a mix of emerging and seasoned talent that reflects the depth of Zimbabwe’s acting pool.
Mathew Masinge