Film Review
Tinashe Kusema
SAY whatever you want about Netflix’s so-called big money deal with comedian Adam Sandler, but the streaming company seems happy and pretty content with the 56-year-old’s body of work.
It started off as a US$250 million deal for four pictures in which the former “Saturday Night Live” cast member would star, produce and make under his Happy Madison Productions company.
The four turned out to be huge hits on the streaming platform, with the 2019 comedy “Murder Mystery” said to have prompted consumers to spend about two billion hours watching the film.
The deal between the two parties has since 2017 been renewed, with Sandler making exclusive content for Netflix.
This year alone, the actor has seven releases on the Netflix slate, one of which is “The Out-Laws”.
If this brainless comedy is anything to go by, then Netflix and Sandler’s richly rewarding relationship is the only positive thing we can talk about.
The film follows Owen Browning (Adam DeVine), a senseless bank manager, who is about to marry a girl way out of his league in Parker McDermott (Nina Dobrev).
As the wedding day approaches, Parker receives news that her parents Billy and Lilly (Pierce Brosnan and Ellen Barkin) will indeed attend the nuptials.
Apparently, the bride-to-be’s parents have been living under the grind for the entirety of Owen and Parker’s relationship. This is the first time they will meet their new son-in-law.
However, it turns out that the two are, in fact, famed bank robbers known as the Ghost Bandits.
Their return sees an old partner Rehan Zakaryan (Poorna Jagannathan) come out for blood and vengeance.
The now-feared mobster kidnaps the McDermotts’ daughter, demands a five-million-dollar ransom or she will kill her. The two bank robbers decide to team up with their soon-to-be son-in-law, Owen, in their attempts to rob a couple of banks and raise the ransom.
What ensues is your typical comedy and action sequences.
This is your typical Sandler movie that can be either good or bad.
As someone who literally grew up on the famed comedian’s work, I am a huge fan. However, his films tend to be more of misses than hits, a typical case with “The Out-Laws”.
For one, DeVine is one of those divisive comedians most people hate to love or love to hate. While very funny at times, he certainly does not possess the required charm and appeal to carry an entire movie alone.
Add a couple of strait-laced thespians like Brosnan, Ellen Barkin and Dobrev, then one has a recipe for disaster.
The writing is another letdown as the running gags are flat and I am being kind here. They do nothing to enhance the story. The action is good in flashes but Brosnan is now 70 years old and it would be unjust to expect him to carry such scenes and sequences.
This movie also wastes a couple of good comedians in Blake Anderson (Cousin RJ), Lil Rel Howery (Tyree) and Richard Kind (Neil Browning).
While their appearances, scattered throughout the movie, are few and far in-between, the trio steals the show every time they appear on the screen.
The less said about Jagannathan’s terrible Tina Fey impression and her one-note villain the better.
This film will certainly make good business for Netflix given Sandler’s huge cult following, but the does not possess much in terms of quality.
It will go down the pile when one looks back on the 2023 hits and misses.




