Online Reporter
langalakhe mabena, Zimpapers Arts and Entertainment Hub
THE upcoming Moto Moto Festival is shaping up to be more than just a musical showcase, but a powerful vehicle for exporting Zimbabwean art to the world.
Set for 19 July at Odonien in Köln, Germany, this year’s festival promises an electrifying fusion of cultures and sounds under the theme “Unity in Diversity”.
With a stellar line-up that includes internationally acclaimed acts like Mokoomba, Awa Khiwe, Feli Nandi, Wowrae, Pro Beatz, Mary Anibal, Merciless, DJ Blaze, Nisha Ts and Mwenje Mathole, the event will serve as a melting pot of African creativity.
Returning from a standout performance last year, Feli Nandi exemplifies the potential of Zimbabwean music to resonate with global audiences.
“Her authenticity, powerful stage presence and ability to weave Afro-beat and Zimbabwean sounds into something deeply moving make her an export-ready act,” said Plot Mhako, one of the festival’s founders.
He said the Moto Moto Festival is not just about performances, it is a mission.
“It’s about taking Zimbabwean stories, rhythms and voices beyond borders and placing them where they belong, on the world stage.”
According to Mhako, the selection of artistes is deliberate: a balance between seasoned professionals and fresh voices across genres to reflect Africa’s evolving soundscape.
“Each act brings a unique energy. Whether through distinctive sound, strong storytelling, or cultural influence, they all represent the best of Zimbabwe and Africa.”
The festival, now in its sophomore year, has matured from its debut. Lessons from the first edition have informed a stronger 2025 programme, which Mhako says will feature greater community engagement, better logistics, increased media visibility and expanded cultural exchanges.
“We want Moto Moto to be more than a concert, we’re creating a space for learning, connection, and collaboration.”
Workshops, interactive experiences, and pan-African creative collaborations are now central to the festival’s vision. These elements transform Moto Moto into a dynamic cultural hub, not just a show, but a statement about Zimbabwe’s creative muscle.
Mhako, who also directs the festival, said its core purpose remains the same: to break the barriers that often prevent Zimbabwean and African artistes from accessing international markets.
“Zimbabwe is rich in talent, but under-represented on global stages. Moto Moto gives artistes that chance to perform, connect and grow their international footprint,” he said.
He added, “This is how we challenge narratives. This is how we rewrite the African story, not through charity, but through excellence, professionalism and world-class artistry.”
For attendees, this year’s edition promises an even broader spectrum of sound, energy and cultural fusion, from high-octane performances to soul-stirring storytelling. The addition of collaborative acts between African and European creatives will further enhance the festival’s impact.
Bongani Ndlovu