Online Reporter
Prince Mushawevato
SINCE dropping his debut album nearly 13 years ago, Peter Moyo has navigated a tortuous path characterised by triumph, betrayal and what many would describe as sabotage.
Peter took over the reins of Utakataka Express following the death of its founder — and his father —Tongai “Dhewa” Moyo in October 2011.
After releasing his debut “Mushonga Mukuru” (2013), he never looked back, as he went on to release more than five studio albums. The sungura musician successfully steered the band out of turbulent waters following his father’s demise.
Today, the group is ranked among the best live acts in the country.
While his studio work has occasionally faced criticism, Peter seems to show maturity with his latest offering — “Matsimba eMurozvi”.
The six-track album was officially unveiled in Harare on April 30.
It features tracks “Zviripo Zvinondinetsa”, “Huya Ndikubereke”, “Handingazvigone”, “Simba Panyika”, “Nyika Yawayenda” and “Kasongo Tuta (Hard Rock FC)”.
“I am happy with the progress I have made so far. Feedback from fans has been encouraging. I have been taking their valued contributions into consideration and that is how we arrived at this final product,” he said.
The musician, however, acknowledged that the journey has not been easy, noting the numerous obstacles he has faced since taking over the leadership of Utakataka Express.
“Those who listen to my music in search of Peter’s work are having the time of their lives,” Peter declared. “But those who come looking for Tongai Moyo in my work — I am sorry to say they will be disappointed. Tongai started this movement, and I, along with my siblings, am moving it forward. We have a signature sound that guides us, but that does not mean I have to replicate everything my father did.”
Listening to “Zviripo Zvinondinetsa” — which addresses the untold suffering caused by various socio-economic issues — and “Nyika Yawayenda” — a lament for a lost loved one — one begins to truly appreciate the artiste’s growth.
These tracks carry the strong signature touch of the late Dhewa, yet they are clearly infused with Peter’s own developing style.
For those familiar with the internal politics of the industry, this is a significant achievement, especially considering the unfortunate developments that have plagued his ensemble over the years.
“I am trying my best under difficult circumstances,” Peter said, appearing deep in thought.
“I have lost the entire band that my father left behind. I am working with an entirely new team. However, I am happy they have come to the party. The guys are talented and have kept the engine running.”
Peter opted to remain diplomatic regarding past conflicts, though his track “Handingazvigone” betrays his underlying heartache.
The song is a plea to the Lord, expressing that one cannot make it in life without divine intervention when faced with complex challenges.
In “Simba Panyika”, he further expresses gratitude to the Creator for not giving mortals the power to end lives or command the weather.
One could be pardoned for assuming Peter is venting in these tracks, following what critics consider an “unfair poaching” of his band members.
Soon after Dhewa’s death, Peter lost his drummers Guyson Sixpence and Prince Kapatsa — the latter joining Suluman Chimbetu’s Orchestra Dendera Kings.
As he tried to adjust to the harsh realities of the industry, he also lost Willard “Willo” Loti and Mathew Perego. Loti became a session guitarist, while Perego formed his own ensemble.
The storm did not end there.
In the years leading up to “Matsimba eMurozvi”, Peter witnessed the exit of Gift “Shiga Shiga” Katulika, Evidence “Baba Gari” Tarabuka, Emmanuel “Manu” Sajeni and Spencer “Bolt Cutter” Khumulani.
Shiga Shiga formed his own band, while rhythm guitarist Baba Gari and bass guitarist Manu joined Solo Moyo’s Kutinya Express.
Khumulani joined Somandla Ndebele’s Denda Brothers, serving as both a bass guitarist and manager.
However, despite the departures, Peter has maintained a level of professional goodwill.
Notably, both Shiga Shiga and Khumulani have continued to assist him with studio recordings on various projects since their exit.
“It’s part of life,” Peter said.
“I have to make do with what is available. I do not think it is necessary for us to fight or call each other names over such issues. We are all adults and make decisions based on what we feel is best for our families.
“The good thing is that life goes on. I am still able to produce good music, and I know for a fact that I lead one of the best groups in the country when it comes to live shows.”
The new album is rounded out by “Huya Ndikubereke” and “Kasongo Tuta”, a dedication to the Kwekwe-based Hardrock Football Club.
Other previous studio albums from the youthful singer include “Mwana waMambo” (2023), “Mixed Bag” (2022) and “Mopao Mokonzi” (2017).
