Online Reporter
Amos Mpofu [email protected]
IF Friday night’s Winter Braai Festival had been a competition, many music lovers would agree that honours were evenly shared between Sungura music king Alick Macheso and his protégé Peter Moyo, son of the late Sungura legend Tongai Moyo.
Held at the Palace Gardens in Bulawayo, the festival was a night of top-class entertainment as Sungura enthusiasts gathered for what turned out to be an unforgettable musical experience.
The event exceeded expectations, with Peter Moyo delivering a performance that reaffirmed his status as a worthy custodian of his father’s musical legacy.
Taking to the stage at around 11pm, Peter immediately won over the crowd with a polished act that evoked fond memories of the late Tongai Moyo. Backed by the youthful and energetic Utakataka Express band, Peter showcased impressive vocals, masterful guitar skills and commanding stage presence.
One of the band’s greatest strengths was the chemistry among its young members, whose enthusiasm and teamwork were evident throughout the performance. Dancers, guitarists and drummers worked in perfect harmony, creating an electric atmosphere that kept revellers captivated.
Much of the Utakataka Express setlist featured Tongai Moyo’s timeless classics, songs that continue to resonate with fans years after his death. The similarities between father and son were impossible to ignore.
From his voice and dance moves to his guitar playing and impeccable fashion sense, Peter mirrored many of the qualities that made Tongai a household name. The crowd repeatedly chanted “Zvakanaka Dewa”, a slogan forever associated with the late Sungura icon.
Among the standout performers was bassist Manuwero, whose solo displays drew thunderous applause from the audience. His bass guitar showcases, spread across several segments of the set, highlighted remarkable skill, creativity and confidence.
Drummer Mapancho also earned widespread admiration, further cementing his reputation as one of the band’s key attractions.
Speaking to Zimpapers shortly after his performance, Peter expressed gratitude for the opportunity to share the stage with Macheso, whom he described as both a mentor and father figure.
“There are many musicians whom I regard as father figures, but not all of them would be willing to perform alongside a younger artiste like me. I’m grateful for the opportunity,” he said.
Reflecting on his performance, Peter said he was satisfied with his contribution but preferred to leave the final judgement to the audience.
“It’s not my first time sharing the stage with the King and my father in music, Alick Macheso, but I’m always delighted to perform alongside him. For me to reach where I am today it’s because of him.
“He has tirelessly exposed me to the fans and helped them recognise me, and I truly appreciate that,” he said.
As the clock edged towards 1am, anticipation reached fever pitch as fans eagerly awaited Macheso’s appearance. The mere announcement that Baba Shero was preparing to take to the stage sent the crowd into a frenzy.
Known for his humility and close connection with supporters, Macheso took several minutes to reach the stage as he stopped repeatedly to greet fans and shake hands with admirers. Security personnel struggled to clear a path through the sea of supporters before the Sungura superstar finally made his entrance.
The reception was overwhelming. As soon as he appeared, hundreds of fans erupted into deafening chants of “Macheso! Macheso! Macheso!”, creating one of the most memorable moments of the night. He opened his set with the early 2000s hit Madhuve, a song many fans had eagerly requested.
The soothing melodies from legendary lead guitarist Noel Nyazanda transported many in the audience down memory lane, reminding them of music’s unique power to heal, unite and inspire. The dancers moved effortlessly to the smooth Sungura rhythms, while Jonasi Kasamba once again impressed with his trademark chants that perfectly complemented the band’s performance.
At around 2.30am, during a rendition of Zvichada Hama, fans began demanding that Macheso remove his woollen hat. When he finally obliged, the crowd erupted with excitement at the sight of the much-talked-about hairstyle that has generated considerable public interest in recent months.
Macheso also thrilled fans with his trademark bass guitar mastery. At one point, he playfully stopped mid-performance and jokingly declared, “Yapera iyi” (This one is finished), prompting supporters to plead for more.
Moments later, he unexpectedly resumed playing, triggering another wave of excitement among the revellers.
Veteran guitarist Zachariah Zachariah delivered his customary polished performance, while lead guitarist Mike “Maikoro” also received widespread acclaim for his outstanding contribution. Whenever his name was mentioned, sections of the crowd responded with loud chants of “Mike! Mike! Mike!” in appreciation of his exceptional display.
By the time the festival drew to a close, one thing was clear, fans had witnessed a rare musical showcase featuring two generations of Sungura excellence. It was a night that will live long in the memories of those who attended.
Bongani Ndlovu